ORCID
- Schroff, Simone: 0000-0002-2359-3916
Abstract
This paper examines the implications for European music culture of the European Union’s (EU) Digital Single Market strategy. It focuses on the regulatory framework being created for the management of copyright policy, and in particular the role played by collective management organisations (CMOs or collecting societies). One of the many new opportunities created by digitalisation has been the music streaming services. These depend on consumers being able to access music wherever they are, but such a system runs counter to the management of rights on a national basis and through collecting organisations which act as monopolies within their own territories. The result has been ‘geo-blocking’. The EU has attempted to resolve this problem in a variety of ways, most recently in a Directive designed to reform the CMOs. In this paper, we document these various efforts, showing them to be motivated by a deep-seated and persisting belief in the capacity of ‘competition’ to resolve problems that, we argue, actually lie elsewhere – in copyright policy itself. The result is that the EU’s intervention fails to address its core concern and threatens the diversity of European music culture by rewarding those who are already commercially successful.
DOI
10.1080/1369118X.2017.1309445
Publication Date
2018-01-01
Publication Title
Information, Communication & Society
Volume
21
Issue
10
ISSN
1369-118X
Organisational Unit
School of Society and Culture
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-Share Alike 4.0 International License.
First Page
1305
Last Page
1321
Recommended Citation
Schroff, S., & Street, J. (2018) 'The politics of the Digital Single Market: culture vs. competition vs. copyright', Information, Communication & Society, 21(10), pp. 1305-1321. Available at: https://doi.org/10.1080/1369118X.2017.1309445
