What Does Live Coding Know?
dc.contributor.author | Cox, Geoffrey | |
dc.date.accessioned | 2017-04-20T09:44:21Z | |
dc.date.available | 2017-04-20T09:44:21Z | |
dc.date.issued | 2015-07-13 | |
dc.identifier.isbn | 9780853163404 | |
dc.identifier.uri | http://hdl.handle.net/10026.1/9101 | |
dc.description.abstract |
Live coding can be seen to reflect contemporary conditions in which our lives seem to be increasingly determined by various scripts and computational processes. It demonstrates the possibility for more expansive ideas that emerge in the uncertainties of improvised performance. This paper further situates the practice of live coding in the context of artistic research and the notion of ‘onto-epistemology’. One of the challenges, it is argued, is to bring code back into the frame of ‘material-discursive’ practice so that code can be understood for what it is, how it is produced and what it might become. This is arguably the critical task of live coding: to expose the condition of possibility in this way; in other words, to remain attentive to the contradictions of what constitutes knowledge in contested fields of practice, and to demonstrate modes of uncertainty in what would otherwise seem to be determinate computational processes. | |
dc.format.extent | 170-178 | |
dc.language.iso | en | |
dc.publisher | University of Leeds | |
dc.title | What Does Live Coding Know? | |
dc.type | conference | |
plymouth.date-start | 2015-07-13 | |
plymouth.date-finish | 2015-07-15 | |
plymouth.conference-name | International Conference on Live Coding | |
plymouth.journal | Proceedings of the First International Conference on Live Coding | |
dc.identifier.doi | 10.5281/zenodo.19329 | |
plymouth.organisational-group | /Plymouth | |
plymouth.organisational-group | /Plymouth/Faculty of Arts, Humanities and Business | |
plymouth.organisational-group | /Plymouth/Faculty of Arts, Humanities and Business/School of Art, Design and Architecture | |
plymouth.organisational-group | /Plymouth/REF 2021 Researchers by UoA | |
plymouth.organisational-group | /Plymouth/REF 2021 Researchers by UoA/UoA32 Art and Design: History, Practice and Theory | |
plymouth.organisational-group | /Plymouth/REF 2021 Researchers by UoA/UoA32 Art and Design: History, Practice and Theory/UoA32 Art and Design: History, Practice and Theory MANUAL | |
dc.publisher.place | ICSRiM, University of Leeds | |
dc.publisher.place | Leeds | |
dcterms.dateAccepted | 2015-05-01 | |
dc.rights.embargoperiod | Not known | |
rioxxterms.versionofrecord | 10.5281/zenodo.19329 | |
rioxxterms.licenseref.uri | http://www.rioxx.net/licenses/all-rights-reserved | |
rioxxterms.licenseref.startdate | 2015-07-13 | |
rioxxterms.type | Conference Paper/Proceeding/Abstract | |
plymouth.oa-location | https://zenodo.org/record/19329#.WPiBUY4lHeQ |