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dc.contributor.authorHarper, J
dc.date.accessioned2023-11-17T15:57:57Z
dc.date.available2023-11-17T15:57:57Z
dc.date.issued2022-03
dc.identifier.issn1054-2043
dc.identifier.issn1531-4715
dc.identifier.urihttps://pearl.plymouth.ac.uk/handle/10026.1/21662
dc.description.abstract

Immersive experiences in theatre and digital games are often characterized by immediacy in space and time, focusing on the imminent action of the here and now. Live action roleplay (larp) practices, by contrast, can encourage reflexivity. Such reflexive play can support the agential capacities of players in participatory performance works to visualize and pursue alternative futures.

dc.format.extent145-164
dc.languageen
dc.publisherCambridge University Press (CUP)
dc.subject3604 Performing Arts
dc.subject36 Creative Arts and Writing
dc.titleInterrupting Immersive Immediacy
dc.typejournal-article
dc.typeJournal Article
plymouth.issue1
plymouth.volume66
plymouth.publication-statusPublished
plymouth.journalTDR: The Drama Review
dc.identifier.doi10.1017/s1054204321000800
plymouth.organisational-group|Plymouth
plymouth.organisational-group|Plymouth|Faculty of Arts, Humanities and Business
plymouth.organisational-group|Plymouth|Faculty of Arts, Humanities and Business|School of Art, Design and Architecture
plymouth.organisational-group|Plymouth|REF 2021 Researchers by UoA
plymouth.organisational-group|Plymouth|Users by role
plymouth.organisational-group|Plymouth|Users by role|Academics
plymouth.organisational-group|Plymouth|REF 2021 Researchers by UoA|UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies
plymouth.organisational-group|Plymouth|REF 2028 Researchers by UoA
plymouth.organisational-group|Plymouth|REF 2028 Researchers by UoA|UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies
dcterms.dateAccepted2020-11-22
dc.date.updated2023-11-17T15:57:57Z
dc.rights.embargodate2023-11-21
dc.identifier.eissn1531-4715
dc.rights.embargoperiod
rioxxterms.versionofrecord10.1017/s1054204321000800


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