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dc.contributor.authorMiranda, Eduardo
dc.contributor.authorShaji, H
dc.date.accessioned2023-02-28T15:34:48Z
dc.date.available2023-02-28T15:34:48Z
dc.date.issued2023-02-13
dc.identifier.issn2076-3417
dc.identifier.issn2076-3417
dc.identifier.other2401
dc.identifier.urihttp://hdl.handle.net/10026.1/20513
dc.description.abstract

<jats:p>Cellular automata (CA) are abstract computational models of dynamic systems that change some features with space and time. Music is the art of organising sounds in space and time, and it can be modelled as a dynamic system. Hence, CA are of interest to composers working with generative music. The art of generating music with CA hinges on the design of algorithms to evolve patterns of data and methods to render those patterns into musical forms. This paper introduces methods for creating original music using partitioned quantum cellular automata (PQCA). PQCA consist of an approach to implementing CA on quantum computers. Quantum computers leverage properties of quantum mechanics to perform computations differently from classical computers, with alleged advantages. The paper begins with some explanations of background concepts, including CA, quantum computing, and PQCA. Then, it details the PQCA systems that we have been developing to generate music and discusses practical examples. PQCA-generated materials for Qubism, a professional piece of music composed for London Sinfonietta, are included. The PQCA systems presented here were run on real quantum computers rather than simulations thereof. The rationale for doing so is also discussed.</jats:p>

dc.format.extent2401-2401
dc.languageen
dc.language.isoen
dc.publisherMDPI
dc.subjectquantum computing applications
dc.subjectpartitioned quantum cellular automata
dc.subjectcellular automata music
dc.subjectquantum computer music
dc.subjectgenerative music
dc.titleGenerative Music with Partitioned Quantum Cellular Automata
dc.typejournal-article
dc.typeJournal Article
plymouth.author-urlhttps://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000938818700001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=11bb513d99f797142bcfeffcc58ea008
plymouth.issue4
plymouth.volume13
plymouth.publication-statusPublished online
plymouth.journalApplied Sciences
dc.identifier.doi10.3390/app13042401
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business/School of Society and Culture
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dcterms.dateAccepted2023-02-03
dc.rights.embargodate2023-3-1
dc.identifier.eissn2076-3417
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.3390/app13042401
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review


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