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dc.contributor.authorDidakis, S
dc.date.accessioned2018-12-02T22:03:49Z
dc.date.available2018-12-02T22:03:49Z
dc.date.issued2018-05
dc.identifier.issn1477-9358
dc.identifier.issn1477-9358
dc.identifier.urihttp://hdl.handle.net/10026.1/12969
dc.description.abstract

In this work, an attempt is made to explore the emerging computationally-enhanced private and public environments by analyzing their ecological transitions and its implications on practical, aesthetic, and speculative dimensions. The author has decided to methodologically dissect the multiplicity of information that exists on many possible-to-detect scales (micro, meso, macro), and utilize this extraction as a tool for experimentation and redefinition. With the use of custom-made hardware and software utilities (sensor devices, sentiment analysis algorithms, online APIs, and many more), a vast amount of data is collected and used as a multidimensional layered architecture that constantly shifts and transforms. The extracted and analyzed content of the collection becomes the essence of the work that is shaped and refined through digital and physical making – middleware, recursion, mapping – and by utilizing technological objects within the physical space, the creative process is augmented and amplified, exploring not only new practices and novel applications, but rather redefining behavior, thought-process, and context.

dc.language.isoen
dc.publisherBCS Learning & Development
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subject3604 Performing Arts
dc.subject36 Creative Arts and Writing
dc.titleMicro, Meso, and Macro Data Collection and Analysis, as a Method for Speculative and Artistic Exploration
dc.typeconference
plymouth.date-start2018-05-15
plymouth.date-finish2018-05-17
plymouth.conference-nameEVA-18, Politics of the Machines – Art and After
plymouth.publication-statusPublished
plymouth.journalACM Digital Library
dc.identifier.doi10.14236/ewic/EVAC18.24
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business/School of Art, Design and Architecture
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA32 Art and Design: History, Practice and Theory
dc.publisher.placeCopenhagen, Denmark
dcterms.dateAccepted2018-02-12
dc.identifier.eissn1477-9358
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.14236/ewic/EVAC18.24
rioxxterms.licenseref.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
rioxxterms.licenseref.startdate2018-05
rioxxterms.typeConference Paper/Proceeding/Abstract


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