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dc.contributor.authorMiranda, Eduardo
dc.contributor.authorKirke, Alexis
dc.contributor.authorBraund, Edward
dc.contributor.authorAntoine, A
dc.contributor.editorMiranda E
dc.date.accessioned2018-03-08T10:54:40Z
dc.date.available2018-03-08T10:54:40Z
dc.date.issued2017-12-04
dc.identifier.isbn9783319498805
dc.identifier.other2
dc.identifier.urihttp://hdl.handle.net/10026.1/11020
dc.description.abstract

Advances in technology have had a significant impact on the way in which we produce and consume music. The music industry is most likely to continue progressing in tandem with the evolution of electronics and computing technology. Despite the incredible power of today’s computers, it is commonly acknowledged that computing technology is bound to progress beyond today’s conventional models. Researchers working in the relatively new field of Unconventional Computing (UC) are investigating a number of alternative approaches to develop new types of computers, such as harnessing biological media to implement new kinds of processors. This chapter introduces the field of UC for sound and music, focusing on the work developed at Plymouth University’s Interdisciplinary Centre for Computer Music Research (ICCMR) in the UK. From musical experiments with Cellular Automata modelling and in vitro neural networks, to quantum computing and bioprocessing, this chapter introduces the substantial body of scientific and artistic work developed at ICCMR. Such work has paved the way for ongoing research towards the development of robust general-purpose bioprocessing components, referred to as biomemristors, and interactive musical biocomputers.

dc.format.extent23-61
dc.language.isoen
dc.publisherSpringer International Publishing
dc.relation.ispartofGuide to Unconventional Computing for Music
dc.subjectBiocomputing
dc.subjectUnconventional Computing
dc.subjectComputer Music
dc.titleOn Unconventional Computing for Sound and Music
dc.typechapter
plymouth.publisher-urlhttp://www.springer.com/gb/book/9783319498805
plymouth.publication-statusPublished
dc.identifier.doi10.1007/978-3-319-49881-2_2
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business/School of Society and Culture
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.1007/978-3-319-49881-2_2
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeBook chapter


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