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dc.contributor.authorEmmett, Mathew
dc.date.accessioned2017-11-20T12:01:00Z
dc.date.available2017-11-20T12:01:00Z
dc.identifier.urihttp://hdl.handle.net/10026.1/10225
dc.descriptionThe mixture of technological and spatial practice developed a hybrid creative/systematic methodological process, using computer-generated simulated environments and performance. Coupled with new media platforms and collaborations with Eberhard Kranemann (co-founder Kraftwerk, Neu! Pissoff and Fritz Müller), evolved through iterative development at Weithorn Galerie Düsseldorf, Lichtturm Solingen, Germany, KARST, Plymouth and the Immersive Vision Theatre, Plymouth University. Space Interface was included at the Düsseldorf-Cologne Art Fair. Mischa Kuball (Professor of media art at the Academy of Media Arts Cologne) highlighted the innovation at the private view.
dc.description.abstract

Space Interface is an AV performance presented to an audience that embraces the problem of: 1) space-blindness, 2) buildings limited by unimaginative conventions and 3) rigid procurement laws. Iteratively developed over three years and five venues spanning Germany and UK, the research contributes to architectural design through the synthesis of situated cognition and new media interfaces. Host buildings are digitally re-configured to alter the perceived fixity of their space to rehearse new spatial realities through technical and temporal means. Disruptive AV cues are spatialised into dissonant mediascapes by pairing video, sound and performance to enhance the immersive transmission of affect that inverts architectural space from its previous function to reveal new potentials. The outcome is the video documentation forming an experiential archive for popularizing this new approach. The project constructs architectural interventions from a disruptive methodology to establish a dissonance between physical and virtual space which functions as a hyper-reality ‘stent’, warping the existing space into a different dimension. When the overlay reality is reversed, a spatial afterimage continues to exist to promote an immersive understanding on how to re-purpose existing environments into speculative architectures and under privileged forms of spatial experience. Eberhard Kranemann, co-founder of Kraftwerk was an invited contributor to the performances. Space Interface received funding from Arts Council England and Kulturförderung & Dinnebier Licht GmbH. Performed at Weithorn Galerie, Düsseldorf (2015), Lichtturm Solingen, NRW (2016), KARST gallery, Plymouth (2016) and The Atlantic Project, Plymouth (2018).

dc.format.extent15
dc.format.mediumvideo sound art, diasec-alu-dibond fine art prints, 3D printing & live performance
dc.language.isoen
dc.subjectEberhard Kranemann
dc.subjectnew media art
dc.subjectmixed reality performance
dc.titleSpace Interface
dc.typeexhibition
plymouth.author-urlhttp://mathewemmett.com/space-interface-performance/
plymouth.date-start2015-09-03
plymouth.date-finish2015-09-28
plymouth.publisher-urlhttps://www.kunstliebtuns.de/event/ebrhard-kranemann-mathew-emmett-space-interface-and-new-media-art/#.WhLB7TOcaEI
plymouth.publication-statusPublished online
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA32 Art and Design: History, Practice and Theory
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dc.publisher.placeWeithorn Galerie, Düsseldorf.
dc.rights.embargoperiodNot known
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeOther


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