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Abstract

This article discusses the ways in which James Macpherson's Poems of Ossian engage with other literary texts within their footnotes, adopting David Hopkins's notion of ‘conversing with antiquity’ to articulate how Macpherson conveys meaning and seeks to establish poetic characteristics through this interaction with other forms of expression. Attention to this process leads to a discussion of the dramatic qualities of Ossian as discussed by Macpherson and Hugh Blair, concluding with a discussion of Ossian's contribution to an emerging understanding of primitive dramatic forms, comparing the ways in which criticism understands Ossian and Aeschylus during the 1760s and 1770s.

DOI

10.1111/1754-0208.12393

Publication Date

2016-05-18

Publication Title

British Journal for Eighteenth Century Studies

Volume

39

Issue

2

First Page

171

Last Page

182

ISSN

0141-867X

Embargo Period

2018-05-18

Organisational Unit

Office of the Vice Chancellor

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