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dc.contributor.authorBonet, Nuria
dc.date.accessioned2022-03-30T12:20:49Z
dc.date.issued2022-03-01
dc.identifier.issn0072-0127
dc.identifier.urihttp://hdl.handle.net/10026.1/18982
dc.description.abstract

The shawm originates in the Middle East but can be found in folk traditions of European, Asian, American and African cultures. In the Mediterranean, the shawm is ubiquitous in popular music through multiple declinations: piffero (Italy), gralla, xirimia, dulzaina (Spain), ghaita (North Africa), zurna (Turkey), and so on. Its spread to the Far East, including Nepal, China and Korea is attributed mostly to the Silk Road route and resulting trade. The dissemination of double reed instruments is often linked to the expansion of Arab cultures to areas including the Mediterranean and East Asia.

dc.language.isoen
dc.publisherThe Galpin Society
dc.titleMechanised Shawms: The Case of the Chinese Suona
dc.typejournal-article
plymouth.volume75
plymouth.journalGalpin Society Journal
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business/School of Society and Culture
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dcterms.dateAccepted2021-06-15
dc.rights.embargodate9999-12-31
dc.rights.embargoperiodNot known
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review


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