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dc.contributor.authorMiranda, Eduardo
dc.date.accessioned2020-07-09T15:51:18Z
dc.date.issued2020-08-10
dc.identifier.issn1064-5462
dc.identifier.issn1530-9185
dc.identifier.urihttp://hdl.handle.net/10026.1/15957
dc.description.abstract

This paper introduces GeMS, a system for music composition informed by Synthetic Biology. GeMS generates music with simulations of genetic processes, such as transcription, translation and protein folding, with which biological systems render chains of amino acids from DNA strands. The system comprises the following components: the Miranda Machine, the Rhythmator and the Pitch Processor. The Miranda Machine is an abstract Turing Machine-like processor, which manipulates a sequence of DNA symbols according to a set of programming instructions. This process generates a pool of new DNA strands, which are subsequently translated into rhythms. GeMS represents the musical equivalent of amino acids in terms of rhythms, referred to as rhythmic codons. This enables the Rhythmator to convert DNA sequences into rhythmic sequences. The Pitch Processor generates pitches for such rhythmic sequences. It is inspired by the phenomenon of protein folding. The Pitch Processor considers orientation information of DNA instructions yielded by the Miranda Machine in order to activate algorithms for generating pitches. A musical composition, entitled Artibiotics, for percussion ensemble and electronic instruments, is presented to demonstrate the system.

dc.format.extent1-27
dc.format.mediumPrint-Electronic
dc.languageEnglish
dc.language.isoEnglish
dc.publisherMassachusetts Institute of Technology Press (MIT Press)
dc.subjectArtificial Life
dc.subjectgenerative music
dc.subjectMiranda machine
dc.subjectDNA music
dc.subjectgenetic music
dc.titleGenetic Music System with Synthetic Biology
dc.typejournal-article
dc.typeJournal Article
plymouth.author-urlhttps://www.ncbi.nlm.nih.gov/pubmed/32772858
plymouth.issue3
plymouth.volume26
plymouth.publication-statusPublished
plymouth.journalArtificial Life
dc.identifier.doi10.1162/artl_a_00325
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business/School of Society and Culture
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dc.publisher.placeUnited States
dcterms.dateAccepted2020-06-12
dc.rights.embargodate2020-9-5
dc.identifier.eissn1530-9185
dc.rights.embargoperiodNot known
rioxxterms.versionAccepted Manuscript
rioxxterms.versionofrecord10.1162/artl_a_00325
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.licenseref.startdate2020-08-10
rioxxterms.typeJournal Article/Review


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