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dc.contributor.authorŁucznik, Klara
dc.contributor.authorLösche, Frank
dc.date.accessioned2018-10-30T10:21:33Z
dc.date.available2018-10-30T10:21:33Z
dc.date.issued2017-11-21
dc.identifier.issn2082-6710
dc.identifier.issn2082-6710
dc.identifier.urihttp://hdl.handle.net/10026.1/12685
dc.description.abstract

Research into group creativity with its dynamic, interpersonal, and multi-perspective character poses many challenges, among others, how to collect data and capture its shared nature. In this paper, we discuss the creative process of an ensemble in dance improvisation as an example of vivid and collaborative creative practice. To identify aspects of improvisational dance cognition, we designed and applied a videostimulated recall approach to capturing the multiple perspectives of the shared creative process. We tested the method during an improvisational session with dancers, showing how the recordings of dancers' thought narratives and internal states might be used for studying group creativity. Finally, we presented an audiovisual installation Between Minds and Bodies that aimed to recreate the dancers' experience and offered immersion into the creative process by accessing individual dancer's thought processes in the improvised performance while watching the dance improvisation.

dc.format.extent227-239
dc.language.isoen
dc.publisherThe Centre for Philosophical Research
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rightsAttribution-ShareAlike 4.0 International
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.titleDance Improvisational Cognition
dc.typejournal-article
dc.typeJournal Article
plymouth.issueSpecial
plymouth.volumeVIII
plymouth.publication-statusPublished online
plymouth.journalAVANT. The Journal of the Philosophical-Interdisciplinary Vanguard
dc.identifier.doi10.26913/80s02017.0111.0021
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Science and Engineering
plymouth.organisational-group/Plymouth/Faculty of Science and Engineering/School of Geography, Earth and Environmental Sciences
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dcterms.dateAccepted2017-09-26
dc.identifier.eissn2082-6710
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.26913/80s02017.0111.0021
rioxxterms.licenseref.urihttp://creativecommons.org/licenses/by-sa/4.0/
rioxxterms.licenseref.startdate2017-11-21
rioxxterms.typeJournal Article/Review


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