Abstract
The methodology aims to demonstrate that absence is not reducible to one approach or another but plays on the incommensurabilities, commensurabilities and gaps between the different concepts presented. The 'motions of absence', which are textual insertions interspersed between the sections, directly articulate the methodology of the thesis by responding to and exploring the thinking in each section. The methodology therefore both produces and addresses the tensions and gaps available in visual and theoretical discourses to demonstrate absence. lt thereby allows for the possibility of a re-inscription of signification for absence to occur.
Document Type
Thesis
Publication Date
2006-01-01
DOI
10.24382/4683
Recommended Citation
ROULSTONE, K. G. (2006) RETHINKING ABSENCE: ART PRACTICE AND THE CRITICAL METAPHYSICS OF JACQUES DERRIDA AND JACQUES LACAN. Thesis. University of Plymouth. Available at: https://doi.org/10.24382/4683
