Browse more theses by postgraduate research students from the Faculty of Arts, Humanities and Business.
Theses/Dissertations from 2024
Integrating Natural Light for Wellbeing, Performance, and Quality Care Delivery in Healthcare Environments, Ademola Adebayo Akinbami
Silence in Market Reaction to Annual Reports, Magdalena Kochanowicz
Theses/Dissertations from 2021
AN INVESTIGATION INTO THE USES OF MACHINE LEARNING FOR ELECTRONIC SOUND SYNTHESIS, Laurence Metters
Future Nelsons: A quantitative social history study of British naval cadets, 1884-1894, Oliver J Moore
Governance of High Sea Mediterranean Marine Protected Areas from a Maltese Perspective, Christopher Cousin
Music and the Brain: Composing with the Electroencephalogram, Rachel Horrell
Philip Guston’s Absurd and the Sisyphean Affirmation in the Battle for Existentialism, Jason Blacklock
Social and commercial enterprise interactions: Insights from UK business incubators, Eleanor Browne
William Blake’s Selfhood and the Atomistic Materialism of Lucretius’ De Rerum Natura, Joshua Schouten De Jel
Theses/Dissertations from 2020
Black Male Representations in Non-Urban Settings in The UK, Nathaniel Turner
Bodycloth in Performance Art, Natalie Raven
BONE PAINTING, A NOVEL, WITH CRITICAL DISSERTATION ON THE EKPHRASTIC PRACTICES OF NATSUME SŌSEKI AND AKUTAGAWA RYŪNOSUKE, Jamie Edgecombe
Constructions of Space in Fiction of Neil Gaiman, Luis Ponte
Digital Porosity and Its Impact on the Mediation of Networked Images, Claudia Pilsl
Imagining and Remembering the Soldier at the Imperial War Museum (1980-1995), Jayne Buchanan
POOR COPY: FAN PRACTICES AND PRODUCERLY ART MAKING, Beth Emily Richards
Prison Space, Social Control and Relationships in a Post-Soviet Women’s Prison, Arta Jalili Idrissi
Saltram House: The Evolution of an Eighteenth-Century Country Estate, Katherine R. Norley
The Festival in the Meta-system of Culture, Nadezhda Krasteva
The Representation of the Outlaw Biker in California, 1953-1969: Film, Counterculture and Commodity, Stacey Masters
To the Wall: London's Murals and 'the Left', 1975-1986, Ben Wiedel-Kaufmann
Trace and history: an investigation of Kurdish banner-making through contemporary art practice., Rostam Hakeem
Theses/Dissertations from 2019
A Critical Analysis of Harms Experienced by Transgender Individuals, Katie McBride
An exploration of issues relating to the implementation of Active Learning in Saudi Arabian Universities, Fatmah Alotaibi
BICCHERNA COVERS AND SIENESE TRECENTO SOCIETY: FIVE CASE STUDIES, Marietta H.W. Klein Essink
Birds with Wolf Hearts, a Collection of Poetry, with an Analysis of Contemporary Nepalese Women’s Poetry, Eleanor Walsh
BOY WORK. FROM EDUCATION TO EMPLOYMENT IN ENGLAND AND WALES, 1901-1930, David Graham Goode
CAN REGIONALISM PROVIDE STABILIZATION TO CENTRAL ASIA AND THUS AFGHANISTAN?, Richard Good
COMPARATIVE ASSESSMENT OF MEASURES TO TACKLE THE ILLEGAL TRADE IN ENDANGERED SPECIES, Melanie Berry
Conduct Unbecoming an Officer and a Gentleman: Honour and Dishonour in the Court Martial Records of the Marines Ashore, 1783-1793, Lee-Jane Giles
Data Sonification in Creative Practice, Nuria Bonet
Europeanization of Foreign Aid: Managing Post-9/11 Fragile, Conflict-Affected States, James Frank Flint
Investigation into Stand-alone Brain-computer Interfaces for Musical Applications, Satvik Venkatesh
Meeting the Archive Through An Interdisciplinary Artistic Practice, Steven Mark Paige
Movement, Technological Mediation and Embodied Interactions, in the Education of children with autism., Abigail Jackson
Representations of War and Conflict in the Painting of Gustave Doré, Sebastian Tym
Sonic Analysis for Machine Learning: Multi-Layer Perceptron Training using Spectrograms, Samuel Pearce-Davies
The Development of Nuclear Propulsion in the Royal Navy, 1946-1975, Gareth Michael Jones
The use of the Personal Response System (PRS) at King Khalid University for learning development, Bandar Alzahrani
Towards the development of music as an intervention for Insomnia treatment: A research synthesis, Miriam Richter
Ways of making: producing artworks in the studio in response to experiential walking, Helen Billinghurst
Theses/Dissertations from 2018
A CONTINUED MUSICAL AND PERSONAL DIALOGUE WITH THE WAVES OF EPILEPSY., Alan Douglas Miles
Algorithmic Sovereignty, Denis Roio
An Examination of Students' Entrepreneurial Learning through Extracurricular Enterprise Activities, Sarah Preedy
An Investigation into the Use of Artificial Intelligence Techniques for the Analysis and Control of Instrumental Timbre and Timbral Combinations, Aurélien Antoine
Character on Trial: Reading and Judgement in Henry Fielding's Works, Rachel Kathryn Mace
Curating a Gentleman's Library: Practices of Acquisition, Display and Disposal in the Cottonian Collection, 1791-1816, Susan Leedham
Developing an artificial colour-sound association for musical composition, Richard Abbott
ECONOMIC RESILIENCE IN GREAT BRITAIN: AN EXAMINATION OF THE DETERMINANTS OF THE 2008 CRISIS IMPACT ON GB'S LOCAL AUTHORITY DISTRICTS, Anastasios Kitsos
Exploring Privilege through the creation and Live/Digital Performance of an Alter Ego, Gemma Nicole Chatwin
Gold Griot: Jean-Michel Basquiat Telling (His) Story in Art, Lucinda Ross
Imagining Peace and War: Plymouth 1918-1939, Glyn Potter
Inflammatory Bowel Disease, Health and Well-being: Definitions, Identity and Experience, Sarah Molland
LISTENING PATTERNS. From Music to Perception and Cognition, Massimiliano Viel
'Our Mission is Protest': FEMEN, Toplessness and Female Spectacle, Leah Dungay
POST AFRICAN FUTURES: Decoloniality and Actional Methodologies in Art and Cultural Practices in African Cultures of Technology, Tegan Mary Bristow
THE DEVELOPMENT AND APPLICATION OF COMPUTATIONAL MULTI-AGENT MODELS FOR INVESTIGATING THE CULTURAL TRANSMISSION AND CULTURAL EVOLUTION OF HUMPBACK WHALE SONG, Michael Mcloughlin
The Impact of Social Media Usage for Work Purposes on Innovation in SMEs: The Role of Human Capital and Knowledge Sharing, Omar Aydh Alghamdi
The Other Middle-earth: Intertextuality and Iconography in Sergei Iukhimov’s Illustrations for The Lord of the Rings, Joel Merriner
‘The Road to Learning’: Re-evaluating the Mechanics’ Institute Movement, Douglas Robert Watson
What’s in a Frame? Cosmopolitan Morality, the Media and Interventionism, Nicola Katy Langdon
Theses/Dissertations from 2017
An evaluation of the impact of event attendance on perceptions of the host organisation’s reputation: a university case study, Katie Angliss
An exploration of how agency and socio-cultural milieu support greater or lesser controlled gambling and recovery from gambling addiction, Edward Iain Pyle
A Search for Justice: An Analysis of Purpose, Process and Stakeholder Practice at the International Criminal Court, Benjamin Iain Nutt
A STRATEGY OF DISTINCTION: CULTURAL IDENTITY AND THE CAREWS OF ANTONY, JENNIFER FRASER
A Translocal Approach to Dialogue-based Art, RACHELLE MARIE VIADER KNOWLES
CATCH | BOUNCE: Towards a relational ontology of the digital in art practice, James Charlton
Dogs and Domesticity Reading the Dog in Victorian British Visual Culture, Amy Robson
Dutch Artists in England: Examining the Cultural Interchange between England and the Netherlands in ‘Low’ Art in the Seventeenth Century., Joanna Mavis Ruddock
Enhancing Civil Military Integration for Strategic Sealift, George Dimitri Pateras
Greenies, Growlers and Goffers: The development of the Royal Navy Habitus, Russell Andrew John Roy Shobrook
HEALTHY PERFORMANCE - A CASE STUDY ON PERFORMANCE MANAGEMENT, Jeremy Walding
How does the analysis of structural violence help to explain the persistence of the Israel-Palestine conflict? A case study of the barrier, Aneta Brockhill
Imagining the Scottish Economy: Economic (In)Security and the 'Hidden Politics' of Independence, James Gilgrist
In and Out of Memory: Exploring the Tension Between Remembering and Forgetting When Recalling 9/11, a Traumatic Event, Anna M. Walker
In Search of the DomoNovus: Speculative Designs for the Computationally-Enhanced Domestic Environment, Stavros Didakis
Internet of Props. A performative ontology and design framework for the internet of things., Gianni Corino
Laughter, inframince and cybernetics - Exploring the Curatorial as Creative Act, Edith M. Doove
Methods and Technologies for the Analysis and Interactive Use of Body Movements in Instrumental Music Performance, Federico Visi
Notions of a Radical Moving Image Archive as a Problematic, Amanda Egbe
PICKING UP (ON) FRAGMENTS: TOWARDS A LABORATORIAL MEDIA ARCHAEOLOGY THROUGH REENACTMENT, Phil Ellis
Reflections On Leaking Men And Abject Masculinities: Challenging Representations Of Male Identity In And Through Body-Based Performance Art, Mark Andrew Flisher
The British Labour Party and the German Social Democratic Party: Changing Attitudes towards the Welfare State, Annabelle Wolff
The English settlement of St Christopher, 1624 - 1629, Mark Edward Millard
The Impact Of Organisational Factors On Knowledge Sharing Performance, Oluwafemi Oyedele Oyemomi
The Knotweed Factor: Non-visual Aspects of Poetic Documentary, T.J. Coles
The Medium and the Message: Afro-Cuban Trance and Western Theatrical Peformance, Christopher Danowski
'The Proust of Painting': Jacques-Émile Blanche, the Neurasthenic Portrait and the Nervous Elite of Paris 1900, Siobhan Sexton
The Times and the Manchester Guardian’s editorial perspectives on Irish Home Rule and the adoption of referendum debates during the British constitutional crisis: December 1910-August 1911, David Frederick Ernest Moore