Show simple item record

dc.contributor.supervisorBrunt, Paul
dc.contributor.authorMansfield, Charles
dc.contributor.otherFaculty of Arts, Humanities and Businessen_US
dc.date.accessioned2016-06-02T08:42:33Z
dc.date.available2016-06-02T08:42:33Z
dc.date.issued2015
dc.identifier10252067en_US
dc.identifier.urihttp://hdl.handle.net/10026.1/4785
dc.description.abstract

This doctoral thesis approaches literary tourism initially from an historical perspective in order to define the phenomenon through a review of the existing academic literature in the field. The forms of literary tourism are analysed to provide a typology and from this the value of literary tourism is explained both from the visitor's point of view and the destination manager's. Current theories underpinning the existing literature on literary tourism, including Bourdieu's concept of cultural capital are reviewed. To extend the current state of research and to answer the research questions a case study of successful urban literary tourism is identified, in this case in Brittany, France. The uses of French literature in literary tourism are reviewed to provide a sound basis on which to examine French texts and tourist destinations. Novel methods of field research are developed to formalise and to make reproducible the methodology for this study and for future work drawing on, and seeking to combine both literary theory and ethnography. Following a pilot study on the French Riviera the full discovery instruments are designed and applied in fieldwork on the case destination, Concarneau, using the detective novel, The Yellow Dog, which is set in Concarneau. Analysis of the findings from this provide a new contribution to the field of literary theory, in the area of reader interpellation, and answer the research questions in the form of a new set of recommendations for DMOs and tourism stakeholders. From the empirical study that used Web 2.0 social media, only available since 2013, an analysis of which novels do stimulate literary tourism is presented for the first time. Out of the research process new methods have been evolved, and are presented in the conclusion, for the DMO to synthesise and leverage digital resources. This provides DMOs with interpretation processes for its managed heritage to use with its local stakeholders in hotels and in tourism businesses. Finally, an innovative conceptualisation of what constitutes tourism knowledge is proposed.

en_US
dc.language.isoenen_US
dc.publisherPlymouth Universityen_US
dc.subjectLiterary tourismen_US
dc.subjectTourism destination image
dc.subjectTDI
dc.subjectPlace branding
dc.subjectLiterary theory
dc.subjectLiterary theory
dc.subjectClose reading
dc.subjectFrench literature
dc.subjectAutoethnography
dc.subjectEthnography
dc.subjectGrounded theory
dc.subjectNarrative analysis
dc.subjectDestination management organisation, DMO,
dc.subjectLeisure value
dc.subjectLeadership
dc.subjectTourism knowledge
dc.subjectDetective fiction
dc.subjectSimenon
dc.subjectBrittany
dc.titleThe Role of Literary Texts in Tourism Destination Management, Place Creation and Marketing: A Case Study on Concarneau in Finistère, Brittany, and the Simenon Novel, The Yellow Dogen_US
dc.typeThesis
plymouth.versionEdited versionen_US
dc.identifier.doihttp://dx.doi.org/10.24382/4366


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record


All items in PEARL are protected by copyright law.
Author manuscripts deposited to comply with open access mandates are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author.
Theme by 
Atmire NV