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dc.contributor.supervisorBusby, Graham
dc.contributor.authorMaior-Barron, Denise Cristina Ioana
dc.contributor.otherFaculty of Arts, Humanities and Businessen_US
dc.date.accessioned2015-12-11T11:47:50Z
dc.date.available2015-12-11T11:47:50Z
dc.date.issued2015
dc.identifier821707en_US
dc.identifier.urihttp://hdl.handle.net/10026.1/3930
dc.descriptionMy Dos between 2010-2014 was Professor Daniel Maudlin. I have belonged to the Faculty of Arts for this period, before transferring in the last year of completion to the Faculty of Business. I had to seek the expertise of the School of Tourism due to the interdisciplinary nature of my thesis.en_US
dc.descriptionImages unavailable due to 3rd party copyright restrictions.
dc.description.abstract

This interdisciplinary thesis belongs to Marie Antoinette studies. The contemporary dissonant commodification of the controversial historical character of the last Queen of France, detected at her former home, Petit Trianon, drives the course of the thesis research. Considering the complexity and controversy of the subject, the thesis seeks to make a contribution to extant scholarship by clarifying important modern history issues through a fresh approach: by using art history as an indicator in assessing the historical truth of the narrative of Petit Trianon, the residence identified as home to the last Queen of France.

The thesis examines Petit Trianon and Marie Antoinette in the context of four major narratives - the historical, cinematic, architectural and heritage narratives - relevant to the contemporary heritage interpretation of Petit Trianon as well as its visitor perceptions. In addition to sourcing evidence for the arguments originating in art history information, the thesis relies on the data collection provided by a tailor-made survey for the topic, placing the results in the wider context of a hermeneutical interpretation of data found in either history or contemporary popular culture. The array of Marie Antoinette’s images detected by the analysis charts the commodification of this historical character at Petit Trianon: its production and consumption.

It is through the assessment of this commodification that the present thesis reveals the misconceptions surrounding the historical character best known as Marie Antoinette. The thesis argues that the true role of the last Queen of France was successfully obscured through juxtaposition with her perception by the French collective memory. In other words, the perception of Marie Antoinette had subverted historical truth. Furthermore, the commodification of her historical character is perpetuated in an endless chain of representations fuelled by postmodern consumerism.

en_US
dc.language.isoenen_US
dc.publisherPlymouth Universityen_US
dc.subjectMarie Antoinetteen_US
dc.subjectPetit Trianon
dc.subjectThe French Revolution
dc.subjectThe French Third Republic
dc.subjectNational Identity
dc.subjectCultural Heritage
dc.subjectMedia
dc.subjectTourism
dc.subjectHermeneutics
dc.subjectQualitative Research
dc.subjectRomantic Tourist Gaze, The
dc.subjectNarratives
dc.subjectVisitor Perceptions
dc.subjectPostmodern Visual Cultural Consumption
dc.subjectHeritage Authenticity
dc.subjectHeritage Commodification
dc.titlePETIT TRIANON AND MARIE ANTOINETTE: REPRESENTATION, INTERPRETATION, PERCEPTIONen_US
dc.typeThesis
plymouth.versionEdited versionen_US
dc.identifier.doihttp://dx.doi.org/10.24382/3684
dc.identifier.doihttp://dx.doi.org/10.24382/3684


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