BRITISH ATTITUDES TOWARDS THE ITALIAN PRIMITIVES, 1815-1865, WITH SPECIAL REFERENCE TO THE MID NINETEENTH-CENTURY FASHION

dc.contributor.author	COOPER, ROBYN
dc.contributor.other	Faculty of Arts, Humanities and Business	en_US
dc.date.accessioned	2013-11-13T11:45:38Z
dc.date.available	2013-11-13T11:45:38Z
dc.date.issued	1976
dc.identifier	NOT AVAILABLE	en_US
dc.identifier.uri	http://hdl.handle.net/10026.1/2687
dc.description.abstract	This thesis is about the fashion for the Primitives in Britain in the middle decades of the nineteenth century. By Primitives I mean the painters of the thirteenth, fourteenth and fifteenth centuries. I have concentrated on Italian artists. However, since interest extended to earlier Netherlandish and German painters, some mention will be made of attitudes to them also. In my analysis of this fashion I have chosen to treat as self-contained units its various manifestations . Therefore, a short sketch of the course of the fashion might be useful here.	en_US
dc.language.iso	en	en_US
dc.publisher	University of Plymouth	en_US
dc.title	BRITISH ATTITUDES TOWARDS THE ITALIAN PRIMITIVES, 1815-1865, WITH SPECIAL REFERENCE TO THE MID NINETEENTH-CENTURY FASHION	en_US
dc.type	Thesis
plymouth.version	Full version	en_US
dc.identifier.doi	http://dx.doi.org/10.24382/4531