dc.contributor.author | Mead, C | en |
dc.contributor.author | Moffat, D | en |
dc.contributor.author | Miranda, ER | en |
dc.date.accessioned | 2020-11-17T11:06:23Z | |
dc.date.issued | 2020-10-22 | en |
dc.identifier.uri | http://hdl.handle.net/10026.1/16658 | |
dc.language.iso | en | en |
dc.title | Composing, Recording and Producing with Historical Equipment and Instrument Models | en |
dc.type | Conference Contribution | |
plymouth.date-start | 2020-10-27 | en |
plymouth.date-finish | 2020-10-30 | en |
plymouth.date-finish | 2020-10-30 | en |
plymouth.publisher-url | https://www.aes.org/e-lib/ | en |
plymouth.conference-name | Audio Engineering Society 149th Convention | en |
plymouth.organisational-group | /Plymouth | |
plymouth.organisational-group | /Plymouth/Faculty of Arts, Humanities and Business | |
plymouth.organisational-group | /Plymouth/REF 2021 Researchers by UoA | |
plymouth.organisational-group | /Plymouth/REF 2021 Researchers by UoA/UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies | |
plymouth.organisational-group | /Plymouth/Users by role | |
plymouth.organisational-group | /Plymouth/Users by role/Academics | |
plymouth.organisational-group | /Plymouth/Users by role/Researchers in ResearchFish submission | |
dcterms.dateAccepted | 2020-09-23 | en |
dc.rights.embargodate | 2021-10-22 | en |
dc.rights.embargoperiod | Not known | en |
rioxxterms.licenseref.uri | http://www.rioxx.net/licenses/all-rights-reserved | en |
rioxxterms.licenseref.startdate | 2020-10-22 | en |
rioxxterms.type | Conference Paper/Proceeding/Abstract | en |