Show simple item record

dc.contributor.authorMead, C
dc.contributor.authorMoffat, David
dc.contributor.authorMiranda, Eduardo

This paper describes how models were created and employed (as accurately as possible, using available resources), to simulate the recording technology and instruments, available at different points in recorded music history, initially with two models, based on 1955 and 1965. A series of explorative experiments in composing, performing and recording music were conducted with these models, in an effort to understand how the strengths and inherent limitations of the tools available affect both the composition and production process, and also the stylistic identity of the music created. How do influences from different musical genres familiar to the composer, inspire and inform their creative decisions? How much of this influence is dictated by the limitations in the instruments and equipment used?

dc.titleComposing, Recording and Producing with Historical Equipment and Instrument Models
dc.typeConference Proceeding
plymouth.conference-nameAudio Engineering Society 149th Convention
plymouth.journal149th Audio Engineering Society Convention 2020, AES 2020
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
plymouth.organisational-group/Plymouth/Users by role/Researchers in ResearchFish submission
dc.rights.embargoperiodNot known
rioxxterms.typeConference Paper/Proceeding/Abstract

Files in this item


This item appears in the following Collection(s)

Show simple item record

All items in PEARL are protected by copyright law.
Author manuscripts deposited to comply with open access mandates are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author.
Theme by 
Atmire NV