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dc.contributor.authorSelfridge, R
dc.contributor.authorMoffat, David
dc.contributor.authorAvital, EJ
dc.contributor.authorReiss, JD
dc.date.accessioned2020-10-16T12:55:38Z
dc.date.available2020-10-16T12:55:38Z
dc.date.issued2018-07
dc.identifier.issn1549-4950
dc.identifier.other7/8
dc.identifier.urihttp://hdl.handle.net/10026.1/16546
dc.descriptiondate-added: 2017-07-04 11:12:05 +0000 date-modified: 2018-08-23 12:24:57 +0100 read: 1 bdsk-url-1: https://doi.org/10.17743/jaes.2018.0033
dc.description.abstract

Aeroacoustics is a branch of engineering within fluid dynamics. It encompasses sounds generated by disturbances in air either by an airflow being disturbed by an object or an object moving through air. A number of fundamental sound sources exist depending on the geometry of the interacting objects and the characteristics of the flow. An example of a fundamental aeroacoustic sound source is the Aeolian tone, generated by vortex shedding as air flows around an object. A compact source model of this sound is informed from fluid dynamics principles, operating in real-time, and presenting highly relevant parameters to the user. A swinging sword, Aeolian harp, and propeller are behavior models are presented to illustrate how a taxonomy of real-time aeroacoustic sound synthesis can be achieved through physical informed modeling. Evaluation indicates that the resulting sounds are perceptually as believable as sounds produced by other synthesis methods, while objective evaluations reveal similarities and differences between our models, pre-recorded samples, and those generated by computationally complex offline methods.

dc.format.extent594-607
dc.language.isoen
dc.publisherAudio Engineering Society
dc.titleCreating Real-Time Aeroacoustic Sound Effects Using Physically Derived Models
dc.typejournal-article
dc.typearticle
plymouth.author-urlhttps://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000447290400006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=11bb513d99f797142bcfeffcc58ea008
plymouth.issue7/8
plymouth.volume66
plymouth.publication-statusPublished online
plymouth.journalJournal of the Audio Engineering Society
dc.identifier.doi10.17743/jaes.2018.0033
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.17743/jaes.2018.0033
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review


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