A History of Audio Effects
dc.contributor.author | Wilmering, T | |
dc.contributor.author | Moffat, David | |
dc.contributor.author | Milo, A | |
dc.contributor.author | Sandler, MB | |
dc.date.accessioned | 2020-01-22T14:01:00Z | |
dc.date.issued | 2020-01-22 | |
dc.identifier.issn | 2076-3417 | |
dc.identifier.issn | 2076-3417 | |
dc.identifier.other | ARTN 791 | |
dc.identifier.uri | http://hdl.handle.net/10026.1/15335 | |
dc.description.abstract |
<jats:p>Audio effects are an essential tool that the field of music production relies upon. The ability to intentionally manipulate and modify a piece of sound has opened up considerable opportunities for music making. The evolution of technology has often driven new audio tools and effects, from early architectural acoustics through electromechanical and electronic devices to the digitisation of music production studios. Throughout time, music has constantly borrowed ideas and technological advancements from all other fields and contributed back to the innovative technology. This is defined as transsectorial innovation and fundamentally underpins the technological developments of audio effects. The development and evolution of audio effect technology is discussed, highlighting major technical breakthroughs and the impact of available audio effects.</jats:p> | |
dc.format.extent | 791-791 | |
dc.language | en | |
dc.language.iso | en | |
dc.publisher | MDPI | |
dc.subject | audio effects | |
dc.subject | history | |
dc.subject | transsectorial innovation | |
dc.subject | technology | |
dc.subject | audio processing | |
dc.subject | music production | |
dc.title | A History of Audio Effects | |
dc.type | journal-article | |
dc.type | Review | |
dc.type | Journal | |
plymouth.author-url | https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000525305900062&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=11bb513d99f797142bcfeffcc58ea008 | |
plymouth.issue | 3 | |
plymouth.volume | 10 | |
plymouth.publisher-url | https://www.mdpi.com/2076-3417/10/3/791 | |
plymouth.publication-status | Published online | |
plymouth.journal | Applied Sciences | |
dc.identifier.doi | 10.3390/app10030791 | |
plymouth.organisational-group | /Plymouth | |
plymouth.organisational-group | /Plymouth/Faculty of Arts, Humanities and Business | |
dcterms.dateAccepted | 2020-01-13 | |
dc.rights.embargodate | 2020-1-24 | |
dc.identifier.eissn | 2076-3417 | |
dc.rights.embargoperiod | Not known | |
rioxxterms.funder | Engineering and Physical Sciences Research Council | |
rioxxterms.identifier.project | Radio Me: Real-time Radio Remixing for people with mild to moderate dementia who live alone, incorporating Agitation Reduction, and Reminders | |
rioxxterms.version | Accepted Manuscript | |
rioxxterms.versionofrecord | 10.3390/app10030791 | |
rioxxterms.licenseref.uri | http://www.rioxx.net/licenses/all-rights-reserved | |
rioxxterms.licenseref.startdate | 2020-01-22 | |
rioxxterms.type | Journal Article/Review | |
plymouth.funder | Radio Me: Real-time Radio Remixing for people with mild to moderate dementia who live alone, incorporating Agitation Reduction, and Reminders::Engineering and Physical Sciences Research Council |