Abstract

The thesis establishes a comprehensive framework that facilitates an in-depth exploration of the intricate traditional movements of the Whirling Dervishes of Turkey and the passionate expressions of Spanish Flamenco dance. This exploration is facilitated by leveraging augmented digital media and wearable technology. By integrating these modern tools into the realms of these historically rich art forms, the thesis endeavors to uncover new dimensions and possibilities within the dance practices. This convergence transcends the boundaries of conventional performance, offering a heightened sensory experience for both performers and audiences alike. At its core, the performative framework involves a harmonious synergy between the physicality of the dancers, the artistic essence of the movements, and the digital enhancements provided by augmented media. This unique approach allows for the creation of immersive experiences that bridge the gap between tradition and innovation, opening doors to novel avenues of creative expression and enriching the appreciation of these captivating dance forms.

The research in this thesis is led by developing a wearable musical body instrument device using existing sensors that can be embedded or attached to clothing or the body via a removable mechanism. This device tracks gestures and movements to which sounds, and haptic vibrations are attributed. The body movement practices of the Mevlevi Dervishes of Turkey and Andalucían Spanish Flamenco have been examined as two case studies in developing this work. The objective is to cultivate a practice that connects Dervish and Flamenco practices using this digital body instrument - the Soundrop - that communicates a language through sound and movement. The contrasts and parallels between the two traditions have been emphasized in a few different theatrical performances that combine the use of the Soundrop with film, music and dance. Soundrop provides an interface for performers to use by enhancing certain aspects of their performance. This amalgamation between science, technology and art combines the fluid, organic and at times abstract characteristics of the performing arts with the physical, tangible circuitry of hardware and computing. A Dervish and a Flamenco dancer use their costumes as extensions of their body in performance. The Soundrop is an added layer that complements this by further augmentation of movement.

The contribution to new knowledge examines how two musical/dance forms with cultural and geographical historical links (Ottoman Turkish Dervish and Andalucían Flamenco) can be morphed with wearable technology to create a new and immersive audio-visual experience. The potential implications can lead to the preservation of cultural heritage by digitizing these movements, as well as cultivating new performance works. Along with the development of the Soundrop (which has electronic sound samples programmed into it) a complete musical soundscape has been composed as an output of this research - they are a reflection, fusion and electronic interpretation of these traditions.

Keywords

Digital Art, Wearable Technology, Dance, Whirling Dervishes, Flamenco, Immersive Performance

Document Type

Thesis

Publication Date

2024

Embargo Period

2024-07-17

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