ORCID

Abstract

This research project is a comprehensive investigation into the practical applications of a theoretical place of creative intuition I have called ‘the mesotopia’. A mesotopia is a place between conceptual and physical terrains in which inter-object experiential encounters are turned into communicative events. Mesotopian thinking unsettles purely anthropocentric utopian or dystopian future visions, as well as romantic images of Arcadian pasts. I have been attending to the material present of our coastal regions while attempting to intuit, rather than imagine, concealed aspects of these compositional sites. This thesis argues that attending to local environments using a more embodied form of poetic intuition, as opposed to purely anthropic speculative devices of imagination, may offer insight into how environmental encounters can be better interpreted and expressed. I argue that this form of lyrical composition can be developed into a form of lyrical inquiry. Lyrical inquiry is based upon mesotopian logic and uses intuitive strategies to attempt to demystify concealed (meta)physical interactions that occur within a compositional environment. To explore this, I have experimented with attempts to lyrically render different coastal locations using the Kernewek and English languages. I have then evaluated the extent to which grammatical and lexical forms of these distinct languages express alternative attunements to the compositional environment. This mode of research emerges from three fields of interest: firstly, the object-oriented ontologies of Graham Harman and Timothy Morton which have encouraged me to significantly re-think my relation to a compositional environment; secondly, an incorporation of our Kernewek language into my lyrical compositions; finally, my experiments to develop a mode of evaluating the extent to which (meta)physical encounters can be detected in the grammar and lexis of lyrical arrangements.

Awarding Institution(s)

University of Plymouth

Supervisor

Phil Smith, Sarah Blissett, Arun Sood

Keywords

Poetry, Site-specific Art, Kernewek Language, Lyrical Inquiry, Performance Art, Creative Practice, Practice as Research, Philosophical Practice, Ecocriticism, Ecopoetics, Environmental Research, Ecolinguistics, Cornwall

Document Type

Thesis

Publication Date

2025

Embargo Period

2025-07-18

Deposit Date

July 2025

Creative Commons License

Creative Commons Attribution-NonCommercial 4.0 International License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License

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