Abstract

Biomodd is a global series of art installations in which computer technology and ecology converge. Computer networks built from upcycled computer components are provided with living internal ecosystems. In a symbiotic exchange, plants and algae live alongside electronics and use the latter’s waste heat to thrive. Sensors and robotics provide additional interaction possibilities with the organisms. The first version of the project was completed in the US, while the second version was built in the Philippines. Using a postcolonial stance, we reflect on the challenges involved in translating the project from one context to another. We focus on issues related to heat recycling in the tropics; authenticity and hybridity; obsolescence and the convertibility of capital; cultural sampling, remixing, and appropriation; and structures for social organization. We advance Biomodd as a significant contribution to artscience collaborative initiatives in the global South.

Publication Date

2015-08-14

Event

21st International Symposium on Electronic Art (ISEA2015)

Publication Title

Proceedings of the 21st International Symposium on Electronic Ert (ISEA2015 -- Disruption)

Publisher

ISEA International

ISBN

978-1-910172-00-1

ISSN

2451-8611

Embargo Period

2024-11-19

Comments

This paper was completed as part of the Marie Curie Initial Training Network FP7-PEOPLE-2013-ITN, CogNovo, grant number 604764.

Keywords

case modding, creativity and culture, expanded sculpture, art, Postcolonial Theory, interactive art, Digital art, Co-creation, Collaboration, Multidisciplinary Research, Practice-based Research

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