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Abstract

‘Geographical Aesthetics’ is ambitious. It seeks to marshal twelve papers on disparate subjects and with contrasting methodological and analytical approaches, advocate a new aesthetics by articulating key provisional theoretical principles, possible projects and trajectories, while re-describing geography as an always at least partially aesthetic discipline. Where its editors Harriet Hawkins and Elizabeth Straughan’s task is trickiest is where they feel out continuities across longstanding controversies – “ethereal and precious” aesthetics as tending to the apolitical (it is hard to fit, say, Guillermo Gómez-Peña, Erika Fischer-Lichte and Hans-Thies Lehmann into this description), polarities of sublime and picturesque, aspirations for relational and synthesized practices of togetherness that tend towards “a sense of comfort” – and then seek to resolve or accommodate them with the collected papers and their general design.

DOI

10.1111/j.1931-0846.2015.12146.x

Publication Date

2017-07-01

Publication Title

Geographical Review

Volume

107

Issue

3

ISSN

0016-7428

Organisational Unit

School of Art, Design and Architecture

First Page

e33

Last Page

e36

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