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Abstract

This paper charts a changing relationship to ruins over fifteen years of making site-specific performance. It looks at three sets of ruins (a nineteenth-century water tower and a chapel and almshouses, both of medieval origins) and records how they each acted as the beginning of three separate post-dramatic performance projects. By re-visiting and walking between the three sets of ruins, the author tests his own changing understanding of their materiality: from inert properties waiting for invasive or re-compositional acts to unfinished and vibrant materials actively recomposing themselves as allies in resistance and ‘slow revolution’.

Publication Date

2015-10-15

Publication Title

Performance Research

ISSN

1352-8165

Organisational Unit

School of Art, Design and Architecture

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