ORCID

Abstract

Stuart Moore and Kayla Parker reflect on making their film, Father-land, on location in Nicosia. The essay explores our experiences of displacement and home as 'Forces children’, the patriarchal baggage of fathers who served in the RAF and were posted around the world during the Cold War. The paper draws on our recent documentary film, Father-land, shot on location in and around the Nicosia UN Buffer Zone, which won the 2020 BAFTSS Practice Research Award for Essay/Experimental Film.

Publication Date

2020-11-12

Publication Title

Viewfinder

ISSN

2634-8179

Embargo Period

2020-11-24

Organisational Unit

School of Art, Design and Architecture

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