Abstract

This essay will explore the use of atomic force microscopy for uncovering lost tales and histories through subtle audience interaction. Its focus is a portfolio of data-driven work and ‘nanoart’ developed by the author and collaborators. The works described below include: A Mote it is…, ˈspɛktə/spectre, and Exposure. These projects explore the ubiquity of data streamed from an instrumentalized world and its totality potentialed as material for manifesting things that lie outside of normal frames of reference—things so far away, so close, so massive, so small, and so ad-infinitum.

Publication Date

2016-06-01

Publication Title

Cloud and Molecular Aesthetics. Leonardo Electronic Almanac book , Volume 22 Issue 1.

Volume

22

Issue

1

ISSN

1071-4391

Embargo Period

2019-01-11

Organisational Unit

School of Art, Design and Architecture

First Page

236

Last Page

243

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