ORCID
- Parker, Kayla: 0000-0002-9493-8678
Abstract
Following Luce Irigaray’s perspective that “femininity’ ... may be recovered only in secret, in hiding’ (1985a: 30), my paper investigates the relationship between the moving image screen, feminine pleasure and the body, through critical reflection as an artist film-maker on the plasticine animation White Body (2009): in this practice-as-research film, I manipulate plasticine, sugar and dust with my fingers under the animation rostrum camera to explore my early childhood memories of secret, transgressive play; seeking to liberate a cascading feminine sensibility through the creative process of working ‘intuitively’ frame-by-frame with materiality and digital technologies.
Publication Date
2011-01-01
Publication Title
Body, Space & Technology
Volume
10
Issue
2
ISSN
1470-9120
Organisational Unit
School of Art, Design and Architecture
Keywords
animation, artists’ moving image, creative practice, feminine pleasure, feminist, fingers, Irigaray, jouissance, materiality, play, practice-as-research, stop-motion, transgressive
Recommended Citation
Parker, K. (2011) 'White Body: animating feminine pleasure', Body, Space & Technology, 10(2). Retrieved from https://pearl.plymouth.ac.uk/ada-research/174
