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dc.contributor.authorSeal, Lizzie
dc.date.accessioned2017-03-20T15:47:22Z
dc.date.accessioned2017-04-11T08:47:23Z
dc.date.available2017-03-20T15:47:22Z
dc.date.available2017-04-11T08:47:23Z
dc.date.issued2013
dc.identifier.citation

Seal, L. (2013) 'Violet Van Der Elst’s Use of Spectacle and Militancy in her Campaign Against the Death Penalty in England', Law, Crime and History, 3(3), pp.25-41. Available at: https://pearl.plymouth.ac.uk/handle/10026.1/8889

en_US
dc.identifier.issn2045-9238
dc.identifier.urihttp://hdl.handle.net/10026.1/8889
dc.description.abstract

Violet van der Elst launched her campaign against the death penalty in the mid-1930s. She employed direct action tactics outside prisons on execution morning, such as leading the crowd in song and breaking through police cordons. These were not only designed to engage and include the crowd that was present, but also to grab the attention of newspaper readers. Her approach to campaigning made deliberate use of spectacle and, coupled with her direct action techniques, can be understood as a form of post-suffragette militancy. This article explores the influence of the legacy of the suffragette movement on Violet van der Elst’s style of penal activism.

en_US
dc.language.isoenen_US
dc.publisherUniversity of Plymouth
dc.rightsAttribution 4.0 International (CC BY 4.0)*
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/*
dc.subjectDeath Penaltyen_US
dc.subjectCapital Punishmenten_US
dc.subjectPenal Activismen_US
dc.subjectPost-Suffragette Militancyen_US
dc.subjectAbolition
dc.titleViolet Van Der Elst’s Use of Spectacle and Militancy in her Campaign Against the Death Penalty in Englanden_US
dc.typeArticleen_US
dc.typeArticle
plymouth.issue3
plymouth.volume3
plymouth.journalSOLON Law, Crime and History


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Attribution 4.0 International (CC BY 4.0)
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