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dc.contributor.authorDenham, SL
dc.contributor.authorCoath, M
dc.contributor.authorHáden, GP
dc.contributor.authorMurray, F
dc.contributor.authorWinkler, I
dc.date.accessioned2017-01-06T06:40:44Z
dc.date.available2017-01-06T06:40:44Z
dc.date.issued2016
dc.identifier.issn0065-2598
dc.identifier.issn2214-8019
dc.identifier.urihttp://hdl.handle.net/10026.1/8207
dc.description.abstract

Most people are able to recognise familiar tunes even when played in a different key. It is assumed that this depends on a general capacity for relative pitch perception; the ability to recognise the pattern of inter-note intervals that characterises the tune. However, when healthy adults are required to detect rare deviant melodic patterns in a sequence of randomly transposed standard patterns they perform close to chance. Musically experienced participants perform better than naïve participants, but even they find the task difficult, despite the fact that musical education includes training in interval recognition.To understand the source of this difficulty we designed an experiment to explore the relative influence of the size of within-pattern intervals and between-pattern transpositions on detecting deviant melodic patterns. We found that task difficulty increases when patterns contain large intervals (5-7 semitones) rather than small intervals (1-3 semitones). While task difficulty increases substantially when transpositions are introduced, the effect of transposition size (large vs small) is weaker. Increasing the range of permissible intervals to be used also makes the task more difficult. Furthermore, providing an initial exact repetition followed by subsequent transpositions does not improve performance. Although musical training correlates with task performance, we find no evidence that violations to musical intervals important in Western music (i.e. the perfect fifth or fourth) are more easily detected. In summary, relative pitch perception does not appear to be conducive to simple explanations based exclusively on invariant physical ratios.

dc.format.extent409-417
dc.format.mediumPrint
dc.languageeng
dc.language.isoeng
dc.publisherSpringer International Publishing
dc.subjectRelative pitch perception
dc.subjectMusical intervals
dc.subjectOddball paradigm
dc.subjectPattern detection
dc.subjectDeviant detection
dc.subjectTranslation-invariant perception
dc.titleRelative Pitch Perception and the Detection of Deviant Tone Patterns
dc.typejournal-article
dc.typeArticle
dc.typeBook Chapter
plymouth.author-urlhttps://www.ncbi.nlm.nih.gov/pubmed/27080682
plymouth.volume894
plymouth.publisher-urlhttp://dx.doi.org/10.1007/978-3-319-25474-6_43
plymouth.publication-statusPublished
plymouth.journalPHYSIOLOGY, PSYCHOACOUSTICS AND COGNITION IN NORMAL AND IMPAIRED HEARING
dc.identifier.doi10.1007/978-3-319-25474-6_43
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/PS - Doctoral College
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA04 Psychology, Psychiatry and Neuroscience
plymouth.organisational-group/Plymouth/Research Groups
plymouth.organisational-group/Plymouth/Research Groups/Centre for Brain, Cognition and Behaviour (CBCB)
plymouth.organisational-group/Plymouth/Research Groups/Centre for Brain, Cognition and Behaviour (CBCB)/Brain
plymouth.organisational-group/Plymouth/Users by role
dc.publisher.placeUnited States
dc.identifier.eissn2214-8019
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.1007/978-3-319-25474-6_43
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review


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