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dc.contributor.authorMiranda, Eduardo
dc.contributor.authorMcLoughlin, M
dc.contributor.authorLamoni, L
dc.contributor.authorGarland, E
dc.contributor.authorIngram, Simon
dc.contributor.authorNoad, M
dc.contributor.authorRendell, L
dc.contributor.authorKirke, Alexis
dc.date.accessioned2016-11-28T16:25:27Z
dc.date.available2016-11-28T16:25:27Z
dc.date.issued2016-08-31
dc.identifier.isbn9783000537004
dc.identifier.issn2518-3672
dc.identifier.urihttp://hdl.handle.net/10026.1/8036
dc.description.abstract

Humpback whales (Megaptera Novaengliae) present one of the most complex displays of cultural transmission amongst non-humans. During breeding seasons, male humpback whales create long, hierarchical songs, which are shared amongst a population. Every male in the population conforms to the same song in a population. During the breeding season these songs slowly change and the song at the end of the breeding season is significantly different from the song heard at the start of the breeding season. The song of a population can also be replaced, if a new song from a different population is introduced. This is known as song revolution. Our research focuses on building computational multi agent models, which seek to recreate these phenomena observed in the wild. Our research relies on methods inspired by computational multi agent models for the evolution of music. This interdisciplinary approach has allowed us to adapt our model so that it may be used not only as a scientific tool, but also a creative tool for algorithmic composition. This paper discusses the model in detail, and then demonstrates how it may be adapted for use as an algorithmic composition tool.

dc.format.extent274-280
dc.language.isoen
dc.titleAdapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition
dc.typeconference
dc.typeConference Proceeding
plymouth.date-start2016-08-31
plymouth.date-finish2016-09-03
plymouth.conference-nameSound and Music Computing Conference
plymouth.publication-statusPublished
plymouth.journalProceedings of the Sound and Music Computing Conference
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Faculty of Science and Engineering
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA07 Earth Systems and Environmental Sciences
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies
plymouth.organisational-group/Plymouth/Research Groups
plymouth.organisational-group/Plymouth/Research Groups/Marine Institute
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
plymouth.organisational-group/Plymouth/Users by role/Researchers in ResearchFish submission
dc.publisher.placeHamburg, Germany
dcterms.dateAccepted2016-06-20
dc.rights.embargoperiodNot known
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.licenseref.startdate2016-08-31
rioxxterms.typeConference Paper/Proceeding/Abstract


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