‘This ain’t no love-in, this ain’t no happenin’: Misfits, Detroit hardcore and the performance of zombie scenarios
dc.contributor.author | Mock, Roberta | |
dc.date.accessioned | 2016-11-23T08:55:56Z | |
dc.date.available | 2016-11-23T08:55:56Z | |
dc.date.issued | 2014-09-02 | |
dc.identifier.issn | 1468-2761 | |
dc.identifier.issn | 2040-0616 | |
dc.identifier.uri | http://hdl.handle.net/10026.1/6779 | |
dc.description.abstract |
This article explores the (ever changing) manifestation of the living dead as iconographic metaphor and performance scenario in Detroit’s hardcore punk scene in the early 1980s. Focusing in particular on B-movie references by the Misfits, it will discuss how a shared transamerican vocabulary and image bank was used to respond to a national, cultural and economic landscape that played itself out in diverse ways on local and tribal levels. Here, low-budget atomic age zombie flicks of the 1950s and 1960s were made, as Dick Hebdige suggests they should, ‘to mean and mean again’ as a process of subcultural style. They hysterically re-performed the ‘real’ post-apocalyptic world of unemployment, fuel shortages, nuclear threat, curfews and pollution that was being portrayed contemporaneously in George Romero’s Dawn of the Dead (1978). Although it is commonly argued that zombies, like all monsters, are manifestations of ‘collective nightmares’, for hardcore punks hanging out in Detroit in the early 1980s the performance of zombie scenarios can be better understood as the theatricalization of lived experience and an attempt to work through the fluid relationships between roles and participants. | |
dc.format.extent | 201-210 | |
dc.language | en | |
dc.language.iso | en | |
dc.publisher | Informa UK Limited | |
dc.title | ‘This ain’t no love-in, this ain’t no happenin’: Misfits, Detroit hardcore and the performance of zombie scenarios | |
dc.type | journal-article | |
dc.type | Journal Article | |
plymouth.issue | 3 | |
plymouth.volume | 34 | |
plymouth.publication-status | Published | |
plymouth.journal | Studies in Theatre and Performance | |
dc.identifier.doi | 10.1080/14682761.2014.961363 | |
plymouth.organisational-group | /Plymouth | |
plymouth.organisational-group | /Plymouth/Admin Group - REF | |
plymouth.organisational-group | /Plymouth/Admin Group - REF/REF Admin Group - FoAH | |
plymouth.organisational-group | /Plymouth/Faculty of Arts, Humanities and Business | |
plymouth.organisational-group | /Plymouth/Faculty of Arts, Humanities and Business/FoAHB Manual | |
plymouth.organisational-group | /Plymouth/Faculty of Arts, Humanities and Business/School of Society and Culture | |
plymouth.organisational-group | /Plymouth/Users by role | |
plymouth.organisational-group | /Plymouth/Users by role/Academics | |
dc.identifier.eissn | 2040-0616 | |
dc.rights.embargoperiod | Not known | |
rioxxterms.versionofrecord | 10.1080/14682761.2014.961363 | |
rioxxterms.licenseref.uri | http://www.rioxx.net/licenses/all-rights-reserved | |
rioxxterms.type | Journal Article/Review |