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dc.contributor.authorMultiple authors
dc.contributor.authorBarber, Craig
dc.contributor.authorGale, Cathy
dc.contributor.authorJasper, Daniel
dc.contributor.authorKaiser, Zachary
dc.contributor.authorRichard, Miles
dc.contributor.authorRoberts, Spencer
dc.contributor.authorSpackman, Andrew
dc.contributor.editorSquire, Victoria
dc.contributor.editorJones, Peter
dc.contributor.editorDudley, Esther
dc.date.accessioned2016-07-27T09:33:08Z
dc.date.available2016-07-27T09:33:08Z
dc.date.issued2016-07
dc.identifier.citation

Squire, V., Jones, P. and Dudley, E. (eds.) (2016) What is the topography of the contemporary graphic design / communication landscape in relation to art practice? What occupies the space between disciplines? Available at: https://pearl.plymouth.ac.uk/handle/10026.1/5117

en_US
dc.identifier.isbn978-1-84102-411-0
dc.identifier.urihttp://hdl.handle.net/10026.1/5117
dc.description.abstract

In Message journal issue 3 the refereed submissions explore further the boundaries between contemporary graphic design/communication and art, as well as examining what is occupied within the space between the disciplines.

Authors, through written and illustrated submissions, question and investigate the broad nature of graphic design and communication practice and its relationship to art, in relation to both historical and contemporary contexts. The edition debates and illustrates how graphic design/communication can be seen as imaginative, intuitive and creative self (or group) expression – a form of artistic composition – in the same way that we recognise much of art practice. The edition examines practice outside of the conventional boundaries of contemporary graphic design/communication and considers how this space is occupied.

en_US
dc.description.tableofcontents Graphic Affect – Spencer Roberts, University of Huddersfield. Indisciplinarity as Social Form: Challenging the Distribution of the Sensible in the Visual Arts – Richard Miles, Leeds College of Art. The Halsburgs: Alter Egos and Disciplinary Sidesteps - Andrew Spackman, Coventry University and Craig Barber, Norwich University of the Arts. Critical Design Practice: Mapping a New Territory for the Discipline (or Are We Nearly There Yet?) – Cathy Gale, Kingston University. Graphic Design as an Artistic Practice for the Unraveling of the Everyday – Zachary Kaiser, Michigan State University. Elements of Interrogative Style: The Applied Art of Critical Practice – Daniel Jasper, University of Minnesota.
dc.language.isoenen_US
dc.publisherUniversity of Plymouth Pressen_US
dc.subjectMessageen_US
dc.subjectGraphic designen_US
dc.subjectgraphic communicationen_US
dc.subjectgraphic artistsen_US
dc.subjectvisual communicationen_US
dc.subjectillustrationen_US
dc.subjecttypographyen_US
dc.subjectarten_US
dc.subjectcommunication artsen_US
dc.subjectvisual artsen_US
dc.subjectartistic practiceen_US
dc.subjectcritical designen_US
dc.subjectresearchen_US
dc.titleMessage Journal, Issue 3: What is the topography of the contemporary graphic design / communication landscape in relation to art practice? What occupies the space between disciplines?en_US
dc.typeMagazineen_US
dc.title.html

Message Journal, Issue 3: What is the topography of the contemporary graphic design / communication landscape in relation to art practice? What occupies the space between disciplines?



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