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dc.contributor.authorMoore, DRen
dc.date.accessioned2016-05-26T13:45:19Z
dc.date.accessioned2016-05-26T13:55:52Z
dc.date.available2016-05-26T13:45:19Z
dc.date.issued2016-05-18en
dc.identifier.issn0141-867Xen
dc.identifier.urihttp://hdl.handle.net/10026.1/4751
dc.description.abstract

This article discusses the ways in which James Macpherson's Poems of Ossian engage with other literary texts within their footnotes, adopting David Hopkins's notion of ‘conversing with antiquity’ to articulate how Macpherson conveys meaning and seeks to establish poetic characteristics through this interaction with other forms of expression. Attention to this process leads to a discussion of the dramatic qualities of Ossian as discussed by Macpherson and Hugh Blair, concluding with a discussion of Ossian's contribution to an emerging understanding of primitive dramatic forms, comparing the ways in which criticism understands Ossian and Aeschylus during the 1760s and 1770s.

en
dc.format.extent171 - 182en
dc.language.isoenen
dc.publisherVoltaire Foundationen
dc.relation.replaceshttp://hdl.handle.net/10026.1/4750
dc.relation.replaces10026.1/4750
dc.title‘A Comparison Similar to this’: Ossian and the Forms of Antiquityen
dc.typeJournal Article
plymouth.issue2en
plymouth.volume39en
plymouth.journalBritish Journal for Eighteenth Century Studiesen
dc.identifier.doi10.1111/1754-0208.12393en
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA27 English Language and Literature
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dcterms.dateAccepted2016-01-21en
dc.rights.embargodate2018-05-18en
dc.rights.embargoperiod24 monthsen
rioxxterms.versionofrecord10.1111/1754-0208.12393en
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/under-embargo-all-rights-reserveden
rioxxterms.licenseref.startdate2016-05-18en
rioxxterms.typeJournal Article/Reviewen


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