Montage As A Participatory System: Interactions with the Moving Image
dc.contributor.supervisor | Ascott, Roy | |
dc.contributor.author | Moore, James | |
dc.contributor.other | Faculty of Arts, Humanities and Business | en_US |
dc.date.accessioned | 2015-02-11T16:46:46Z | |
dc.date.available | 2015-02-11T16:46:46Z | |
dc.date.issued | 2014 | |
dc.identifier | 341000 | en_US |
dc.identifier.uri | http://hdl.handle.net/10026.1/3228 | |
dc.description | Full version unavailable due to 3rd party copyright restrictions | |
dc.description.abstract |
Recent developments in network culture suggest a weakening of hierarchical narratives of power and representation. Online technologies of distributed authorship appear to nurture a complex, speculative, contradictory and contingent realism. Yet there is a continuing deficit where the moving image is concerned, its very form appearing resistant to the dynamic throughputs and change models of real-time interaction. If the task is not to suspend but encourage disbelief as a condition in the user, how can this be approached as a design problem? In the attempt to build a series of design projects suggesting open architectures for the moving image, might a variety of (pre-digital) precursors from the worlds of art, architecture and film offer the designer models for inspiration or adaptation? A series of projects have been undertaken. Each investigates the composite moving image, specifically in the context of real-time computation and interaction. This arose from a desire to interrogate the qualia of the moving image within interactive systems, relative to a range of behaviours and/or observer positions, which attempt to situate users as conscious compositors. This is explored in the thesis through reflecting on a series of experimental interfaces designed for real time composition in performance, exhibition and online contexts. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Plymouth University | en_US |
dc.subject | Montage | en_US |
dc.subject | Interaction Design | en_US |
dc.subject | Participation | en_US |
dc.subject | Digital Cinema | en_US |
dc.title | Montage As A Participatory System: Interactions with the Moving Image | en_US |
dc.type | Thesis | |
plymouth.version | Edited version | en_US |
dc.identifier.doi | http://dx.doi.org/10.24382/4822 |
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