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dc.contributor.supervisorAscott, Roy
dc.contributor.authorMoore, James
dc.contributor.otherFaculty of Arts, Humanities and Businessen_US
dc.date.accessioned2015-02-11T16:46:46Z
dc.date.available2015-02-11T16:46:46Z
dc.date.issued2014
dc.identifier341000en_US
dc.identifier.urihttp://hdl.handle.net/10026.1/3228
dc.descriptionFull version unavailable due to 3rd party copyright restrictions
dc.description.abstract

Recent developments in network culture suggest a weakening of hierarchical narratives of power and representation. Online technologies of distributed authorship appear to nurture a complex, speculative, contradictory and contingent realism. Yet there is a continuing deficit where the moving image is concerned, its very form appearing resistant to the dynamic throughputs and change models of real-time interaction. If the task is not to suspend but encourage disbelief as a condition in the user, how can this be approached as a design problem? In the attempt to build a series of design projects suggesting open architectures for the moving image, might a variety of (pre-digital) precursors from the worlds of art, architecture and film offer the designer models for inspiration or adaptation? A series of projects have been undertaken. Each investigates the composite moving image, specifically in the context of real-time computation and interaction. This arose from a desire to interrogate the qualia of the moving image within interactive systems, relative to a range of behaviours and/or observer positions, which attempt to situate users as conscious compositors. This is explored in the thesis through reflecting on a series of experimental interfaces designed for real time composition in performance, exhibition and online contexts.

en_US
dc.language.isoenen_US
dc.publisherPlymouth Universityen_US
dc.subjectMontageen_US
dc.subjectInteraction Designen_US
dc.subjectParticipationen_US
dc.subjectDigital Cinemaen_US
dc.titleMontage As A Participatory System: Interactions with the Moving Imageen_US
dc.typeThesis
plymouth.versionEdited versionen_US
dc.identifier.doihttp://dx.doi.org/10.24382/4822


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