Now showing items 1-10 of 25
Jamming the machine: the personal-political in Annabel Nicolson’s Reel Time
(University of Plymouth Press, 2013-09-01)
This chapter concerns a performance of cinema that was presented on only a handful of occasions at a few London venues, such as the Institute of Contemporary Arts (ICA) and the London Film-Makers’ Co-op cinema space, which ...
Her dark materials: conjuring the feminine imaginary in practice
(Transtechnology Research, Plymouth University, 2013-07-12)
My paper explores film-making ‘as (a) woman’, an audiovisual form of écriture féminine, a term used by Hélène Cixous and others to denote ‘feminine writing’, the transformative practices that come through the body, with ...
Reading silence: a performance with film and light
Projections of absence and presence, the dreams and memories of my mother, an usherette, and her mother, a seamstress, in the silent space between.
Living Film: Films, Installations and Performances
The event presented Kayla Parker's video essay Her Dark Materials (2013), which reflects on the artist's engagement with film materiality and the materials of film-making. Includes extracts from direct animation artworks, ...
Micro and macroscopic animation of glass fragments found along the strandline of an urban beach. This practice-as-research mediates Luce Irigaray’s writing about the feminine through close examination and play with glass ...
A State of Un-Play
Exhibition exploring games, rules, rituals, and philosophic investigations, curated by Diana Ali
Light and Shade
Exploring the theme of light and shade, KINO 10 have curated an eclectic selection of short films that will provoke, move, and inspire
This practice-as-research 'film', made by sewing together 400 feet of unexposed 16mm Eastman Colour High Speed Negative FILM 7294 stock, investigates matrilinear materiality within the context of écriture feminine.
Blobs in tartan colours: Margaret Tait's Painted Eightsome
(University of St Andrews, Fife, with British Association of Film, Television and Screen Studies, 2014-11-01)
This essay explores the interplay of Julia Kristeva's concepts of semiotic and symbolic in the Orcadian film-poet Margaret Tait's direct animation film Painted Eightsome, in which the music of a Scottish reel is combined ...
Filming the river: memories of the tidal Tamar
(Edições Cine-Club de Avanca, 2016-09-01)
Our paper explores the affinity between location and the registers of memory through the material specificities of moving image and the place of cinema using two recent moving image artworks, Reach and Maelstrom: The Return ...