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dc.contributor.supervisorMiranda, Eduardo
dc.contributor.authorBorges da Silva, Cândida Luiza
dc.contributor.otherSchool of Society and Cultureen_US
dc.date.accessioned2023-02-22T09:38:47Z
dc.date.available2023-02-22T09:38:47Z
dc.date.issued2023
dc.identifier10619330en_US
dc.identifier.urihttp://hdl.handle.net/10026.1/20485
dc.description.abstract

In this practice-led Ph.D. research, I investigate how an artistic practice can respond to the migration phenomena performed by human beings across the planet over millennia ¬– what I refer to as the millennial global human journey. Based on the idea of mobility, I chose to frame this research in the articulation of concepts deriving from the prefix trans: transculture, transhumance and transmediality. This research contributes to studies in art composition by developing the processes and concept of transmedial composition, mainly contributing to the field of New Media Art. This investigation resulted in the work Transeuntis Mundi (TM) Project – a nomadic artistic practice that encompasses: the TM Derive and manual, the TM Archive, the TM VR work Derive 01 and two forms for its notation. Transeuntis mundi (TM), from the Latin language, means the ‘passersby of the world’ and metaphorically personify in this work the millennial migrants and their global journeys. Based on proposals from the Realism art movement and the walking-based methodologies of Walkscapes and Dérive, the TM Derive was created as a nomadic methodology of composition in response to the ideas of migration and ancestry. It is framed by the minimal stories ¬– the form of narrative of this work, captured from field recordings with 3D technology of everyday life worldwide. This material formed the TM Archive, presented in the TM VR work. The TM VR work Transeuntis Mundi Derive 01 is an immersive and interactive performative experience for virtual reality, that artistically brings together stories, sounds, images, people, and places worldwide, ¬as a metaphor of the millennial global human migration. This work happens as a VR application using 3D technology with 360º image and ambisonic sound, in order to promote an engaged experience through the immersion and interactivity of the participant. This thesis presents and contextualizes these creations: the scope, references, concepts, origin, collaborations, methodology, technologies, and results of this work. It is informed and accompanied by reflexive and critical writing, including an articulation with references of works across different artistic media and fields.

en_US
dc.description.sponsorshipUNIRIO Federal University of the State of Rio de Janeiroen_US
dc.language.isoen
dc.publisherUniversity of Plymouth
dc.subjecttransmedial compositionen_US
dc.subjecttranscultureen_US
dc.subjectmobilityen_US
dc.subjectmigrationen_US
dc.subjectancestryen_US
dc.subjecttranshumanceen_US
dc.subjectnomadic thoughten_US
dc.subjectanthropophagyen_US
dc.subjectvirtual realityen_US
dc.subjectcompositionen_US
dc.subjectwalkscapesen_US
dc.subjectderiveen_US
dc.subjecttransactionen_US
dc.subjecttransportationen_US
dc.subjectminimal storiesen_US
dc.subjectimmersionen_US
dc.subjectinteractivityen_US
dc.subject.classificationPhDen_US
dc.titleTRANSEUNTIS MUNDI, A NOMADIC ARTISTIC PRACTICEen_US
dc.typeThesis
plymouth.versionpublishableen_US
dc.identifier.doihttp://dx.doi.org/10.24382/357
dc.identifier.doihttp://dx.doi.org/10.24382/357
dc.rights.embargoperiodNo embargoen_US
dc.type.qualificationDoctorateen_US
rioxxterms.versionNA
plymouth.orcid.id0000-0003-4453-3602en_US


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