Show simple item record

dc.contributor.authorEmmett, Men
dc.date.accessioned2021-02-12T13:43:41Z
dc.date.available2021-02-12T13:43:41Z
dc.date.issued2020-06-17en
dc.identifier.urihttp://hdl.handle.net/10026.1/16878
dc.description.abstract

Architect and artist Mathew Emmett works with film, sound, installation and performance to disrupt the original use and perception of buildings. The works reveal multilayered references to the continual study of the Isenheim Altarpiece and the Apocalypse, addressing both destructive and redemptive themes in society today. Conceived as a neurological bridge, Emmett brings architecture and art together within an immersive nimbus, creating unstable zones within a host space. And by the insertion of a disturbance or splinter, his projects develop a new and latent tension previously absent within the site.

en
dc.language.isoenen
dc.subjecthttps://www.slsa-eu.org/conferences.htmlen
dc.titleAnthropocenes (Reworking the Wound), European Society for Literature, Science, and the Arts (SLSAeu), Katowice, Poland.en
dc.typePresentation
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business/School of Art, Design and Architecture
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA32 Art and Design: History, Practice and Theory
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dc.publisher.placeOnlineen
dc.rights.embargoperiodNot knownen
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserveden
rioxxterms.typeOtheren


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record


All items in PEARL are protected by copyright law.
Author manuscripts deposited to comply with open access mandates are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author.
Theme by 
@mire NV