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dc.contributor.authorBonet, N
dc.date.accessioned2020-10-04T10:28:59Z
dc.date.available2020-10-04T10:28:59Z
dc.date.issued2019-08
dc.identifier.issn1355-7718
dc.identifier.issn1469-8153
dc.identifier.urihttp://hdl.handle.net/10026.1/16469
dc.description.abstract

<jats:p>Sonification presents some challenges in communicating information, particularly because of the large difference between possible data to sound mappings and cognitively valid mappings. It is an information transmission process which can be described through the Shannon-Weaver Theory of Mathematical Communication. Musical borrowing is proposed as a method in sonification which can aid the information transmission process as the composer’s and listener’s shared musical knowledge is used. This article describes the compositional process of <jats:italic>Wasgiischwashäsch</jats:italic> (2017) which uses Rossini’s <jats:italic>William Tell Overture</jats:italic> (1829) to sonify datasets relating to climate change in Switzerland. It concludes that the familiarity of audiences with the original piece, and the humorous effect produced by the distortion of a well-known piece, contribute to a more effective transmission process.</jats:p>

dc.format.extent184-194
dc.languageen
dc.language.isoen
dc.publisherCambridge University Press (CUP)
dc.titleMusical Borrowing in Sonification
dc.typejournal-article
dc.typeJournal Article
plymouth.issue02
plymouth.volume24
plymouth.publication-statusPublished
plymouth.journalOrganised Sound
dc.identifier.doi10.1017/s1355771819000220
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dc.identifier.eissn1469-8153
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.1017/s1355771819000220
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review


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