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dc.contributor.authorMoffat, David
dc.contributor.authorSandler, MB
dc.date.accessioned2020-09-17T11:04:37Z
dc.date.issued2019-09-25
dc.identifier.issn2076-0752
dc.identifier.issn2076-0752
dc.identifier.urihttp://hdl.handle.net/10026.1/16379
dc.descriptiondate-added: 2019-09-26 17:10:12 +0100 date-modified: 2019-09-26 17:10:12 +0100 read: 1 bdsk-file-1: 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 bdsk-url-1: https://doi.org/10.3390/arts8040125
dc.description.abstract

<jats:p>Music production technology has made few advancements over the past few decades. State-of-the-art approaches are based on traditional studio paradigms with new developments primarily focusing on digital modelling of analog equipment. Intelligent music production (IMP) is the approach of introducing some level of artificial intelligence into the space of music production, which has the ability to change the field considerably. There are a multitude of methods that intelligent systems can employ to analyse, interact with, and modify audio. Some systems interact and collaborate with human mix engineers, while others are purely black box autonomous systems, which are uninterpretable and challenging to work with. This article outlines a number of key decisions that need to be considered while producing an intelligent music production system, and identifies some of the assumptions and constraints of each of the various approaches. One of the key aspects to consider in any IMP system is how an individual will interact with the system, and to what extent they can consistently use any IMP tools. The other key aspects are how the target or goal of the system is created and defined, and the manner in which the system directly interacts with audio. The potential for IMP systems to produce new and interesting approaches for analysing and manipulating audio, both for the intended application and creative misappropriation, is considerable.</jats:p>

dc.format.extent125-125
dc.languageen
dc.language.isoen
dc.publisherMDPI AG
dc.titleApproaches in Intelligent Music Production
dc.typejournal-article
dc.typearticle
plymouth.issue4
plymouth.volume8
plymouth.publication-statusPublished online
plymouth.journalArts
dc.identifier.doi10.3390/arts8040125
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
dcterms.dateAccepted2019-09-10
dc.rights.embargodate9999-12-31
dc.identifier.eissn2076-0752
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.3390/arts8040125
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.licenseref.startdate2019-09-25
rioxxterms.typeJournal Article/Review


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