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dc.contributor.authorWells, L
dc.date.accessioned2019-06-27T11:53:18Z
dc.date.available2019-06-27T11:53:18Z
dc.date.issued2019-05-04
dc.identifier.issn1754-0763
dc.identifier.issn1754-0771
dc.identifier.urihttp://hdl.handle.net/10026.1/14478
dc.description.abstract

Photographers investigate places, research detail and explore ways of conveying some sense of the atmosphere and significance of particular environments. Photographs reveal that which can be seen, their stillness inviting attention to detail that might otherwise be overlooked. Yet landscapes may offer few clues or traces of people and socio-political histories that characterize sites yet are not necessarily marked visually. Pictures evoke personal and cultural memory through suggesting experiences of place that transcend the limitations of visual documentation. Critically reflecting on photographic engagement with battlefields and sites of execution, this paper considers pictorial strategies intended to unearth hidden histories. It evaluates photo-methodologies and approaches to story-telling deployed by artist-photographers seeking to reveal historical sediments and, through referencing that which is known but may not be perceived, to invoke reflection on legacies of conflict. Examples include: Bleda y Rosa, Battlefields; Chloe Dewe Matthews, Shot at Dawn; David Farrell, Innocent Landscapes; Ori Gersht, The Clearing; Anthony Haughey, Disputed Territory; Bart Michiels, The Course of History. It is suggested that, despite ways in which vistas veil histories and photographs prioritize the visible, through the inter-relation of research, reflection and aesthetic tactics photography can suggest hidden histories and offer insights into landscape enigmas.

dc.format.extent177-193
dc.languageen
dc.language.isoen
dc.publisherInforma UK Limited
dc.subject3601 Art History, Theory and Criticism
dc.subject36 Creative Arts and Writing
dc.titleHIDDEN HISTORIES AND LANDSCAPE ENIGMAS
dc.typejournal-article
dc.typeJournal Article
plymouth.issue2
plymouth.volume12
plymouth.publisher-urlhttp://dx.doi.org/10.1080/17540763.2019.1582434
plymouth.publication-statusPublished
plymouth.journalphotographies
dc.identifier.doi10.1080/17540763.2019.1582434
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Users by role
dc.identifier.eissn1754-0771
dc.rights.embargoperiodNot known
rioxxterms.versionofrecord10.1080/17540763.2019.1582434
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review


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