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dc.contributor.authorSchroff, Simone
dc.date.accessioned2019-04-29T11:07:44Z
dc.date.issued2020-06-06
dc.identifier.issn1028-6632
dc.identifier.issn1477-2833
dc.identifier.urihttp://hdl.handle.net/10026.1/13750
dc.description.abstract

This article examines the gap between the public discourse favoured by right holders and politicians for strict copyright enforcement and industry practice where infringement is tolerated and sometimes even facilitated by the same right holders. Drawing on the Japanese contents sector surrounding Manga, Anime and video games, the interaction between strict copyright provisions, positive and negative market impact and broader considerations such as reputation and pay-offs are contextualised. It is demonstrated that right holders do not see infringing behaviour as such as a cause of action nor does it dominate how right holders want users to interact with their products. Instead, it is the wider context which determines if copyright will be enforced or not. Based on an analysis of copyright law, stakeholder interviews and observations at industry and stakeholder events, this paper clarifies where right holders draw the line between a pirate and a fan, especially the limited influence copyright law has in practice.

dc.format.extent433-445
dc.languageen
dc.language.isoen
dc.publisherInforma UK Limited
dc.subjectCopyright
dc.subjectJapanese contents sector
dc.subjectfan-created works
dc.subjectpiracy
dc.subjectmarket harm
dc.titleWhere to draw the line: the difference between a fan and a pirate in Japan
dc.typejournal-article
dc.typeJournal Article
plymouth.author-urlhttps://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000471582100001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=11bb513d99f797142bcfeffcc58ea008
plymouth.issue4
plymouth.volume26
plymouth.publication-statusPublished
plymouth.journalInternational Journal of Cultural Policy
dc.identifier.doi10.1080/10286632.2019.1604694
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business/School of Society and Culture
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA18 Law
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dcterms.dateAccepted2019-04-03
dc.rights.embargodate2020-10-18
dc.identifier.eissn1477-2833
dc.rights.embargoperiodNot known
rioxxterms.funderCanon Foundation in Europe
rioxxterms.identifier.projectSelective Copyright Enforcement
rioxxterms.versionofrecord10.1080/10286632.2019.1604694
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeJournal Article/Review
plymouth.funderSelective Copyright Enforcement::Canon Foundation in Europe


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