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dc.contributor.authorHosale, M-D
dc.contributor.authorMurrani, Sana
dc.date.accessioned2018-11-23T13:32:46Z
dc.date.available2018-11-23T13:32:46Z
dc.date.issued2018-06-15
dc.identifier.isbn1988366097
dc.identifier.isbn9781988366098
dc.identifier.urihttp://hdl.handle.net/10026.1/12853
dc.description.abstract

In particular a kind of practice that embodies the enactment of theoretical approach that helps determine the significance of the work, how it was made, and why.

dc.format.extent? - ? (433)
dc.language.isoen
dc.publisherRiverside Architectural Press
dc.subjectInterdisciplinary
dc.subjectArts
dc.subjectArchitecture
dc.subjectMusic
dc.subjectTechnology
dc.subjectWorldmaking
dc.titleWorldmaking As Techné Participatory Art, Music, and Architecture
dc.typebook
plymouth.publication-statusPublished
plymouth.organisational-group/Plymouth
plymouth.organisational-group/Plymouth/Faculty of Arts, Humanities and Business
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA
plymouth.organisational-group/Plymouth/REF 2021 Researchers by UoA/UoA13 Architecture, Built Environment and Planning
plymouth.organisational-group/Plymouth/Users by role
plymouth.organisational-group/Plymouth/Users by role/Academics
dc.publisher.placeYork, Canada
dc.rights.embargoperiodNot known
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserved
rioxxterms.typeBook


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