Towards a musical programming language
dc.contributor.author | Kirke, Alexis | |
dc.date.accessioned | 2018-10-03T15:43:19Z | |
dc.date.available | 2018-10-03T15:43:19Z | |
dc.date.issued | 2017-02-20 | |
dc.identifier.isbn | 9783319498805 | |
dc.identifier.uri | http://hdl.handle.net/10026.1/12448 | |
dc.description.abstract |
This chapter introduces the concept of programming using music, also known as tone-based programming (TBP ). There has been much work on using music and sound to debug code, and also as a way of help people with sight problems to use development environments. This chapter, however, focuses on the use of music to actually create program code, or the use of music as program code. The issues and concepts of TBP are introduced by describing the development of the programming language IMUSIC. | |
dc.format.extent | 245-278 | |
dc.language.iso | en | |
dc.publisher | Springer International Publishing | |
dc.relation.ispartof | Guide to Unconventional Computing for Music | |
dc.subject | Complementary and Integrative Health | |
dc.title | Towards a musical programming language | |
dc.type | chapter | |
plymouth.publication-status | Published | |
dc.identifier.doi | 10.1007/978-3-319-49881-2_9 | |
plymouth.organisational-group | /Plymouth | |
plymouth.organisational-group | /Plymouth/Faculty of Arts, Humanities and Business | |
plymouth.organisational-group | /Plymouth/REF 2021 Researchers by UoA | |
plymouth.organisational-group | /Plymouth/REF 2021 Researchers by UoA/UoA33 Music, Drama, Dance, Performing Arts, Film and Screen Studies | |
plymouth.organisational-group | /Plymouth/Users by role | |
plymouth.organisational-group | /Plymouth/Users by role/Academics | |
dc.rights.embargoperiod | Not known | |
rioxxterms.versionofrecord | 10.1007/978-3-319-49881-2_9 | |
rioxxterms.licenseref.uri | http://www.rioxx.net/licenses/all-rights-reserved | |
rioxxterms.type | Book chapter |