Show simple item record

dc.contributor.supervisorGregory, James
dc.contributor.authorWatson, Douglas Robert
dc.contributor.otherFaculty of Arts, Humanities and Businessen_US
dc.date.accessioned2018-07-06T12:48:44Z
dc.date.available2018-07-06T12:48:44Z
dc.date.issued2018
dc.identifier10017703en_US
dc.identifier.urihttp://hdl.handle.net/10026.1/11817
dc.descriptionFull version: Access restricted permanently due to 3rd party copyright restrictions. Restriction set on 06/07/2018 by SE, Doctoral College
dc.description.abstract

This thesis is a re-evaluation of a movement founded to provide what Samuel Smiles called “the road to learning” for workers in the nineteenth century. Mechanics’ institutes emerged during the 1820s to both criticism and acclaim, becoming part of the physical and intellectual fabric of the age and inspiring a nationwide building programme funded entirely by public subscription. Beginning with a handful of examples in major British cities, they eventually spread across the Anglophone world. They were at the forefront of public engagement with arts, science and technology.

This thesis is a history of the mechanics’ institute movement in the British Isles from the 1820s through to the late 1860s, when State involvement in areas previously dominated by private enterprises such as mechanics’ institutes, for example library provision and elementary schooling, became more pronounced.

The existing historiography on mechanics’ institutes is primarily regional in scope and this thesis breaks new ground by synthesising a national perspective on their wider social, political and cultural histories. It contributes to these broader themes, as well as areas as diverse as educational history, the history of public exhibition and public spaces, visual culture, print culture, popular literacy and literature (including literature generated by the Institutes themselves, such as poetry and prose composed by members), financial services, education in cultural and aesthetic judgement, Institutes as sources of protest by means of Parliamentary petitions, economic history, and the nature, theory and practice of the popular dissemination of ideas. These advances free the thesis from ongoing debate around the success or failure of mechanics’ institutes, allowing the emphasis to be on the experiential history of the “living” Institute.

The diverse source base for the thesis includes art, sculpture, poetry and memoir alongside such things as economic data, library loan statistics, membership numbers and profit / loss accounts from institute reports. The methodology therefore incorporates qualitative (for example, tracing the evolution of attitudes towards Institutes in contemporary culture by analysing the language used to describe them over time) and quantitative (for example, exploring Institutes as providers of financial services to working people) techniques. For the first time, mechanics’ institutes are studied in relation to political corruption, debates concerning the morality of literature and literacy during the nineteenth century, and the legislative processes of the period.

en_US
dc.language.isoen
dc.publisherUniversity of Plymouth
dc.subjectMechanics Institutesen_US
dc.subjectWorking Class Educationen_US
dc.subject19th Century Britainen_US
dc.subjectSelf Helpen_US
dc.subjectHistory of Literacy and Readingen_US
dc.subjectVictorian Cultureen_US
dc.subjectSocial Controlen_US
dc.subject.classificationPhDen_US
dc.title‘The Road to Learning’: Re-evaluating the Mechanics’ Institute Movementen_US
dc.typeThesis
plymouth.versionnon-publishableen_US
dc.identifier.doihttp://dx.doi.org/10.24382/863
dc.type.qualificationDoctorateen_US
rioxxterms.versionNA


Files in this item

Thumbnail
Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record


All items in PEARL are protected by copyright law.
Author manuscripts deposited to comply with open access mandates are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author.
Theme by 
Atmire NV