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Towards a musical programming language

Kirke, A (2017-02-20)

Application of Optimization and Simulation to Musical Composition that Emerges Dynamically during Ensemble Singing Performance

Kirke, A; Davies, GB; Eaton, J (2020-06-04)

This paper presents and tests a new approach to composing for ensemble singing performance: reality opera. In the performance of such a composition, emotions of the singers are real and emerge as a consequence of their ...

Q-MUSE: A QUANTUM COMPUTER MUSIC SYSTEM DESIGNED FOR A PERFORMANCE FOR ORCHESTRA, ELECTRONICS AND LIVE INTERNET-CONNECTED PHOTONIC QUANTUM COMPUTER

Kirke, A; Shadbolt, P; Neville, A; Antoine, A; Miranda, E (2014-12-06)

Adapting a Computational Multi Agent Model for Humpback Whale Song Research for use as a Tool for Algorithmic Composition

Miranda, ER; McLoughlin, M; Lamoni, L; Garland, E; Ingram, S; Noad, M; Rendell, L; Kirke, A (2016-08-31)

Sonification of Dark Matter: Challenges and Opportunities

Bonet, N; Kirke, A; Miranda, ER (2016-08-31)

Blyth – Eastbourne – Wembury: Sonification as a compositional tool in electroacoustic music

Bonet, N; Miranda, ER; Kirke, A (2016-03-04)

Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition

Kirke, A; Miranda, E (2017-03-28)

Preliminary Results From A Computational Multi Agent Modelling Approach To Study Humpback Whale Song Cultural Transmission

Mcloughlin, M; Lamoni, L; Garland, E; Ingram, S; Kirke, A; Noad, M; Rendell, L; Miranda, ER (2016)

Electroencephalography reflects the activity of sub-cortical brain regions during approach-withdrawal behaviour while listening to music

Daly, I; Williams, D; Hwang, F; Kirke, A; Miranda, ER; Nasuto, SJ (Nature Research (part of Springer Nature), 2019-07-01)

Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System

Williams, D; Kirke, A; Miranda, E; Daly, I; Hwang, F; Weaver, J; Nasuto, S (2017-05-10)