Now showing items 1-10 of 18
Jamming the machine: the personal-political in Annabel Nicolson’s Reel Time
(University of Plymouth Press, 2013-09-01)
This chapter concerns a performance of cinema that was presented on only a handful of occasions at a few London venues, such as the Institute of Contemporary Arts (ICA) and the London Film-Makers’ Co-op cinema space, which ...
Reading silence: a performance with film and light
Projections of absence and presence, the dreams and memories of my mother, an usherette, and her mother, a seamstress, in the silent space between.
Living Film: Films, Installations and Performances
The event presented Kayla Parker's video essay Her Dark Materials (2013), which reflects on the artist's engagement with film materiality and the materials of film-making. Includes extracts from direct animation artworks, ...
A State of Un-Play
Exhibition exploring games, rules, rituals, and philosophic investigations, curated by Diana Ali
The Other Side of Now
SYNOPSIS A short, collaborative 16mm film poem by artist film-makers Kayla Parker and Stuart Moore and the poet and writer David Sergeant that evokes the everyday-ness of life in a city, which seems to be wakening to new ...
SYNOPSIS Film poem created with a constellation of wild flowers growing on reclaimed land by the shore of the Laira, the upper part of the River Plym estuary to the east of Plymouth on the southwest coast of Britain – this ...
Micro and macroscopic animation of glass fragments found along the strandline of an urban beach. This practice-as-research mediates Luce Irigaray’s writing about the feminine through close examination and play with glass ...
Edge of Frame Weekend
The opening programme, 'Elemental Animation', features Kayla Parker's 35mm film Sunset Strip: "A programme of works which use the material of film itself as a canvas. These visceral, vibrant films feature camera-less ...
Maelstrom: The Return
The first in a series of films inspired by the turbulent waters of Devil’s Point, Plymouth. Mysterious upwellings and whirlpools combine with cinematic memories of long-forgotten arrivals and departures. The swirling waters ...
Artwork - Kayla Parker - White Body - 2009
(LSE Sociology Department, London School of Economics, 2015-04-01)
The figure of a small white doll grows from a ball of modelling clay, is cut and sewn shut, and then buried and ‘reborn’, among a nest of white granulated sugar and the dark stain of slut’s wool – the fluffy dust that ...