Now showing items 1-10 of 15
Blobs in tartan colours: Margaret Tait's Painted Eightsome
(University of St Andrews, Fife, with British Association of Film, Television and Screen Studies, 2014-11-01)
This essay explores the interplay of Julia Kristeva's concepts of semiotic and symbolic in the Orcadian film-poet Margaret Tait's direct animation film Painted Eightsome, in which the music of a Scottish reel is combined ...
The people who live along the Tamar form a close relationship with the river; each affected by the other. Artist film-makers Kayla Parker and Stuart Moore used this idea of symbiosis to create Reach. By laying raw film in ...
Artwork - Kayla Parker - White Body - 2009
(LSE Sociology Department, London School of Economics, 2015-04-01)
The figure of a small white doll grows from a ball of modelling clay, is cut and sewn shut, and then buried and ‘reborn’, among a nest of white granulated sugar and the dark stain of slut’s wool – the fluffy dust that ...
One Minute volume 8
Collection of artists' moving image, curated by Kerry Baldry, which includes Night Sounding, the 16mm film made by Kayla Parker. An aural and visual sounding from the shoreline of an industrial, fishing and military port, ...
Programme of artists' moving image which includes the 35mm film 'Sunset Strip' by Kayla Parker. A day-by-day animated diary of a year's sunsets, recorded directly onto a continuous strip of 35mm film using a variety of ...
White Body: animating feminine pleasure
(Brunel University, West London, 2011)
Following Luce Irigaray’s perspective that “femininity’ ... may be recovered only in secret, in hiding’ (1985a: 30), my paper investigates the relationship between the moving image screen, feminine pleasure and the body, ...
Her dark materials: conjuring the feminine imaginary in practice
(Transtechnology Research, Plymouth University, 2013-07-12)
My paper explores film-making ‘as (a) woman’, an audiovisual form of écriture féminine, a term used by Hélène Cixous and others to denote ‘feminine writing’, the transformative practices that come through the body, with ...
Reading silence: a performance with film and light
Projections of absence and presence, the dreams and memories of my mother, an usherette, and her mother, a seamstress, in the silent space between.
Micro and macroscopic animation of glass fragments found along the strandline of an urban beach. This practice-as-research mediates Luce Irigaray’s writing about the feminine through close examination and play with glass ...
A State of Un-Play
Exhibition exploring games, rules, rituals, and philosophic investigations, curated by Diana Ali