Now showing items 1-12 of 12

  • Edge of Frame 

    Parker, K; Moore, S
    Film programme includes Kayla Parker's 16mm direct animation film created by burying 16mm filmstrips in the mud of the banks of the Tamar, allowing the river to ‘make the film’ through the movements of its tidal waters ...
  • Edge of Frame Weekend 

    Parker, K
    The opening programme, 'Elemental Animation', features Kayla Parker's 35mm film Sunset Strip: "A programme of works which use the material of film itself as a canvas. These visceral, vibrant films feature camera-less ...
  • Glass 

    Parker, K (2010-02-03)
    Micro and macroscopic animation of glass fragments found along the strandline of an urban beach. This practice-as-research mediates Luce Irigaray’s writing about the feminine through close examination and play with glass ...
  • Her dark materials: conjuring the feminine imaginary in practice 

    Parker, K (Transtechnology Research, Plymouth UniversityPlymouth Arts CentrePlymouth, 2013-07-12)
    My paper explores film-making ‘as (a) woman’, an audiovisual form of écriture féminine, a term used by Hélène Cixous and others to denote ‘feminine writing’, the transformative practices that come through the body, with ...
  • Journeys and Transmission 

    Parker, K; Macpherson, P (Land/Water and the Visual Arts research groupPlymouth UniversityPlymouth, 2016-06-16)
    The Land/Water 2016 symposium, Journeys and Transmission, explores contemporary concerns about our relationship to the world, following the journeys we make as artists and researchers to acquire knowledge and to share an ...
  • Living Film: Films, Installations and Performances 

    Parker, K; Moore, S
    The event presented Kayla Parker's video essay Her Dark Materials (2013), which reflects on the artist's engagement with film materiality and the materials of film-making. Includes extracts from direct animation artworks, ...
  • Maelstrom: The Return 

    Parker, K; Moore, S (2014-11-25)
    The first in a series of films inspired by the turbulent waters of Devil’s Point, Plymouth. Mysterious upwellings and whirlpools combine with cinematic memories of long-forgotten arrivals and departures. The swirling ...
  • Making Glass 

    Parker, K; Moore, S (University of Winchester PressWinchesterWinchesterWinchesterWinchesterWinchesterWinchesterWinchester, 2012-11)
    In this practice-led exploration of modalities of écriture féminine, I map the shifting subjectivities generated by Glass, a stop-motion animation that performs femininity through close examination and play with glass ...
  • One Minute volume 8 

    Parker, K
    Collection of artists' moving image, curated by Kerry Baldry, which includes Night Sounding, the 16mm film made by Kayla Parker. An aural and visual sounding from the shoreline of an industrial, fishing and military port, ...
  • Reading silence: a performance with film and light 

    Parker, K
    Projections of absence and presence, the dreams and memories of my mother, an usherette, and her mother, a seamstress, in the silent space between.
  • A State of Un-Play 

    Parker, K
    Exhibition exploring games, rules, rituals, and philosophic investigations, curated by Diana Ali
  • White Body: animating feminine pleasure 

    Parker, K (Brunel University, West LondonBritain, 2011)
    Following Luce Irigaray’s perspective that “femininity’ ... may be recovered only in secret, in hiding’ (1985a: 30), my paper investigates the relationship between the moving image screen, feminine pleasure and the body, ...

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