Now showing items 1-15 of 15

  • Camp Followers of the Cold War 

    Parker, K; Moore, S (Learning on Screen - the British Universities and Colleges Film and Video Council, 2020-11-12)
    Stuart Moore and Kayla Parker reflect on making their film, Father-land, on location in Nicosia. The essay explores our experiences of displacement and home as 'Forces children’, the patriarchal baggage of fathers who ...
  • Edge of Frame 

    Parker, K; Moore, S
    Film programme includes Kayla Parker's 16mm direct animation film created by burying 16mm filmstrips in the mud of the banks of the Tamar, allowing the river to ‘make the film’ through the movements of its tidal waters ...
  • Father-land 

    Moore, S; Parker, K (University of Plymouth PressPlymouth, 2018-10-19)
    The publication for the 'Layers of Visibility' exhibition at Nicosia Municipal Arts Centre (NIMAC) features Moore and Parker's illustrated catalogue essay for their collaborative essay film, 'Father-land', pp. 79-90; a ...
  • Father-land: troubled dialogues in a divided island 

    Parker, K; Moore, S (The Arts Institute, University of PlymouthPlymouth, 2018)
    Introduction to the making of Father-land, a practice research collaboration between the author and the sound artist and film-maker Stuart Moore, which investigates notions of home and (dis)placement in the divided island ...
  • Filming the river: memories of the tidal Tamar 

    Parker, K; Moore, S (Edições Cine-Club de AvancaAvanca, Portugal, 2016-09-01)
    Our paper explores the affinity between location and the registers of memory through the material specificities of moving image and the place of cinema using two recent moving image artworks, Reach and Maelstrom: The ...
  • Flow 

    Parker, K; Moore, S (Sundog Media, 2020-06-30)
    Film poem created with the wild flowers that grow along the shore of the Laira estuary, the tidal mouth of the River Plym, on the southwest coast of Britain. The petals and leaves stream past as the haunting soundscape ...
  • Framing Memory: Return to the Zone 

    Parker, K; Moore, S (Edições Cine-Club de AvancaAvanca, 2018-07-25)
    This paper uses the authors’ practice research project, Father-land, as a case study for identifying the dynamic interrelationship between memories of place and the processes of location filmmaking. The Fatherland project ...
  • Heaven is a Place film trailer 

    Parker, K; Mock, R; Way, R (Sundog Media and University of Plymouth, 2014-06-29)
    Online trailer for the 17-minute experimental dance film, 'Heaven is a Place', made with members of the LGBT community, whose personal narratives of longing and loss are told through a series of poetic encounters in the ...
  • Living Film: Films, Installations and Performances 

    Parker, K; Moore, S
    The event presented Kayla Parker's video essay Her Dark Materials (2013), which reflects on the artist's engagement with film materiality and the materials of film-making. Includes extracts from direct animation artworks, ...
  • Maelstrom: The Return 

    Parker, K; Moore, S (2014-11-25)
    The first in a series of films inspired by the turbulent waters of Devil’s Point, Plymouth. Mysterious upwellings and whirlpools combine with cinematic memories of long-forgotten arrivals and departures. The swirling ...
  • Making Glass 

    Parker, K; Moore, S (University of Winchester PressWinchesterWinchesterWinchesterWinchesterWinchesterWinchesterWinchester, 2012-11)
    In this practice-led exploration of modalities of écriture féminine, I map the shifting subjectivities generated by Glass, a stop-motion animation that performs femininity through close examination and play with glass ...
  • Making Glass; Glass 

    Parker, K; Moore, S (University of Winchester Press, 2012-11-01)
  • Moving image production and the pedagogical development of media literacy 

    Parker, K; French, L; Moore, S (Cambridge Scholars PublishingNewcastle upon Tyne, 2012-04)
    This chapter states the case for the pedagogical value of moving image production in the development of media literacy. In the context of this chapter, the concept of media literacy is extended to encompass not just the ...
  • On Location: landscape cinema and digital memory 

    Parker, K; Moore, S (Edições Cine-Club de AvancaAvanca, 2017-07-26)
    This paper critically reflects on the registers and affects of memory in relation to place, cinematic space, and the materiality of digital film-making technologies, using our recent moving image artwork, On Location ...
  • Reach 

    Parker, K; Moore, S (2014-09-13)
    The people who live along the Tamar form a close relationship with the river; each affected by the other. Artist film-makers Kayla Parker and Stuart Moore used this idea of symbiosis to create Reach. By laying raw film ...

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