Now showing items 1-20 of 32

  • Artwork - Kayla Parker - White Body - 2009 

    Parker, K (LSE Sociology Department, London School of Economics, 2015-04-01)
    The figure of a small white doll grows from a ball of modelling clay, is cut and sewn shut, and then buried and ‘reborn’, among a nest of white granulated sugar and the dark stain of slut’s wool – the fluffy dust that ...
  • Blobs in tartan colours: Margaret Tait's Painted Eightsome 

    Parker, K (University of St Andrews, Fife, with British Association of Film, Television and Screen Studies, 2014-11-01)
    This essay explores the interplay of Julia Kristeva's concepts of semiotic and symbolic in the Orcadian film-poet Margaret Tait's direct animation film Painted Eightsome, in which the music of a Scottish reel is combined ...
  • Co-creating in the landscape with Dominica Williamson 

    Parker, K (Plymouth UniversityPlymouth, 2016-08-30)
    A response to the #tagscape project led by Dominica Williamson, Leverhulme Artist-in-residence with the School of Geography, Earth and Environmental Sciences, Plymouth University. Essay for #tagscape exhibition publication, ...
  • Edge of Frame 

    Parker, K; Moore, S
    Film programme includes Kayla Parker's 16mm direct animation film created by burying 16mm filmstrips in the mud of the banks of the Tamar, allowing the river to ‘make the film’ through the movements of its tidal waters ...
  • Edge of Frame Weekend 

    Parker, K
    The opening programme, 'Elemental Animation', features Kayla Parker's 35mm film Sunset Strip: "A programme of works which use the material of film itself as a canvas. These visceral, vibrant films feature camera-less ...
  • Father-land 

    Moore, S; Parker, K (University of Plymouth PressPlymouth, 2018-10-19)
    The publication for the 'Layers of Visibility' exhibition at Nicosia Municipal Arts Centre (NIMAC) features Moore and Parker's illustrated catalogue essay for their collaborative essay film, 'Father-land', pp. 79-90; a ...
  • Father-land: troubling dialogues in a divided island 

    Parker, K (2018)
    This presentation critically reflects on the essay film Father-land, a practice research collaboration between the author and the sound artist and film-maker Stuart Moore, which investigates notions of home and (dis)placement ...
  • Filming the river: memories of the tidal Tamar 

    Parker, K; Moore, S (Edições Cine-Club de AvancaAvanca, Portugal, 2016-09-01)
    Our paper explores the affinity between location and the registers of memory through the material specificities of moving image and the place of cinema using two recent moving image artworks, Reach and Maelstrom: The ...
  • Framing Memory: Return to the Zone 

    Parker, K; Moore, S (Edições Cine-Club de AvancaAvanca, 2018-07-25)
    This paper uses the authors’ practice research project, Father-land, as a case study for identifying the dynamic interrelationship between memories of place and the processes of location filmmaking. The Fatherland project ...
  • Glass 

    Parker, K (2010-02-03)
    Micro and macroscopic animation of glass fragments found along the strandline of an urban beach. This practice-as-research mediates Luce Irigaray’s writing about the feminine through close examination and play with glass ...
  • Heaven is a Place film trailer 

    Parker, K; Mock, R; Way, R (Sundog Media and University of Plymouth, 2014-06-29)
    Online trailer for the 17-minute experimental dance film, 'Heaven is a Place', made with members of the LGBT community, whose personal narratives of longing and loss are told through a series of poetic encounters in the ...
  • Heaven is a Place: The politics and poetics of LGBT location in a community dance film 

    Mock, R; Parker, K; Way, R (RoutledgeNew York, NY and London, 2017-04-24)
    Through a discussion of a local, movement-based performance for and through digital video, this chapter draws upon a range of scholarly dis- ciplines (including performance studies, film studies, somatics, queer studies, ...
  • Her dark materials: conjuring the feminine imaginary in practice 

    Parker, K (Transtechnology Research, Plymouth UniversityPlymouth Arts CentrePlymouth, 2013-07-12)
    My paper explores film-making ‘as (a) woman’, an audiovisual form of écriture féminine, a term used by Hélène Cixous and others to denote ‘feminine writing’, the transformative practices that come through the body, with ...
  • Jamming the machine: the personal-political in Annabel Nicolson’s Reel Time 

    Parker, K (University of Plymouth PressPlymouth, 2013-09-01)
    This chapter concerns a performance of cinema that was presented on only a handful of occasions at a few London venues, such as the Institute of Contemporary Arts (ICA) and the London Film-Makers’ Co-op cinema space, which ...
  • Journeys and Transmission 

    Parker, K; Macpherson, P (Land/Water and the Visual Arts research groupPlymouth UniversityPlymouth, 2016-06-16)
    The Land/Water 2016 symposium, Journeys and Transmission, explores contemporary concerns about our relationship to the world, following the journeys we make as artists and researchers to acquire knowledge and to share an ...
  • Light and Shade 

    Parker, K; KINO 10
    Exploring the theme of light and shade, KINO 10 have curated an eclectic selection of short films that will provoke, move, and inspire
  • Living Film: Films, Installations and Performances 

    Parker, K; Moore, S
    The event presented Kayla Parker's video essay Her Dark Materials (2013), which reflects on the artist's engagement with film materiality and the materials of film-making. Includes extracts from direct animation artworks, ...
  • Maelstrom: The Return 

    Parker, K; Moore, S (2014-11-25)
    The first in a series of films inspired by the turbulent waters of Devil’s Point, Plymouth. Mysterious upwellings and whirlpools combine with cinematic memories of long-forgotten arrivals and departures. The swirling ...
  • Making Glass 

    Parker, K; Moore, S (University of Winchester PressWinchesterWinchesterWinchesterWinchesterWinchesterWinchesterWinchester, 2012-11)
    In this practice-led exploration of modalities of écriture féminine, I map the shifting subjectivities generated by Glass, a stop-motion animation that performs femininity through close examination and play with glass ...
  • Making Glass; Glass 

    Parker, K; Moore, S (University of Winchester Press, 2012-11-01)

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